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  • Young Girl, c. 1910

Gulácsy, Lajos (1882 - 1932)

Young Girl, c. 1910

 Gulácsy, Lajos - Young Girl, c. 1910 | 76th auction auction / 203 Lot
  • We provide certificate work of origin for every purchased work of art
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50 x 33 cm
Chalk on paper
Signed lower right: Gulácsy

Provenance: Earlier in the collection of Vasilescu

VÉDETT - NO EXPORT

76th auction / 203. Lot (2024-12-10)
Starting price: 29 000 000 Ft / 81 658 EUR
Estimation: 34 000 000 Ft- 40 000 000 Ft
/ 95 737 EUR - 112 632 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

  • Conditions of sale

Exhibited:

A Vasilescu-gyűjtemény, Magyar Nemzeti Galéria, 1999–2000.

Painted Dreams, Freud Museum, London, 2003–2004.

Megfestett álmok, Ernst Múzeum, 2004.

Reproduced:

Szíj Béla: Gulácsy Lajos. Corvina, Budapest, 1979, 98. kép.

A Vasilescu-gyűjtemény. Magánkiadás, Budapest, 1999, 113. 

Modern magyar festészet 1892–1919. Szerk.: Kieselbach Tamás, Kieselbach Galéria, Budapest, 2003, 171. kép.

Megfestett álmok. Mese, látomás, álom a magyar művészetben 1903–1918. Szerk.: Szüts Eszter, Ernst Múzeum, Budapest, 2004, 50.

Marosvölgyi Gábor: Gulácsy Lajos. Mundus, Budapest, 2008, 148, 254.

Gulácsy. Na’Conxypan hercege. Szerk.: Bellák Gábor – Plesznivy Edit, Magyar Nemzeti Galéria, Budapest, 2023, 47.

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  • We provide certificate work of origin for every purchased work of art
    We provide certificate work of origin for every purchased work of art

  • Personal viewing in the gallery
    After making an appointment in the Kieselbach Gallery in Budapest

  • Free painting valuation
    Free painting valuation

Study

Irodalom

Szabadi Judit: Gulácsy Lajos. Budapest, Corvina, 1969.

Szíj Béla: Gulácsy Lajos. Corvina, Budapest, 1979.

A Vasilescu-gyűjtemény. Magánkiadás, Budapest, 1999.

Marosvölgyi Gábor: Gulácsy Lajos. Mundus, Budapest, 2008.

Gulácsy. Na’Conxypan hercege. Szerk.: Bellák Gábor – Plesznivy Edit, Magyar Nemzeti Galéria, Budapest, 2023, 47.

 

Elegáns rokokó dáma ül egy kastélyszobában a kékre hangolt kompozíció középpontjában. Feltornyozott frizuráján masni, karcsú nyakán medalionos szalag, derekán széles abroncsos szoknya. A háttámla ívét a falra akasztott ovális képkeretek ismétlik meg. Gulácsy Lajos kéklő álomképként idézte meg kedvenc korszakát, a dekadens rokokót. A 2023-as nagy Gulácsy-kiállítás kurátora, Plesznivy Edit szögezte le a katalógusban, hogy ezzel a törekvésével nem állt egyedül: „A 19. század historizáló szemléletű alkotói […] előszeretettel elevenítették fel a 18. század kifinomult, árkádikus világát, a rokokó kor selyemkosztümbe bújtatott, rizsporos parókát viselő figuráit, az Antoine Watteau-hoz köthető fête galante műfaját. […] Gulácsy korának artisztikumra, kifinomultságra, teatralitásra való fogékonysága is hozzájárult a rokokó miliőjének újraélesztéséhez.” De a fantasztikus álmokat kergető alkotó nem a historizmus távolságtartásával idézte meg a Veszedelmes viszonyok világát, Na’Conxypan hercegeként magát is beleképzelte a díszes kastélyszobák kulisszái közé. Az 1909-es Tűnődésben eljátszott a gondolattal, amint a Watteau-féle almazöld selyemkabátjában a „bájos rococo porcelán-babához” szól: „Add kezedet, bella mia Corona.”

A kép a Kádár-kori műgyűjtés egyik legnagyobbjának, Vasilescu Jánosnak a győri múzeumba került modern gyűjteménye klasszikus éke volt. Vasilescu Romániában született, elit oktatásban részesült, majd mérnök lett, pilótaként és diplomáciai futárként szolgált a világháború alatt, míg végül Magyarországon ragadt. Innovatív szellemének, üzleti érzékének és találmányainak köszönhetően megvolt a lehetősége a műgyűjtésre. Eltalált a 20. század nagy modernjeinek szűk, értékálló klubjába nagy kedvencén, Ország Lilin keresztül. Az 1960–70-es évek legjobbjait gyűjtötte a kortárs mesterektől az akkori iparterves fiatalokig, de egy-két klasszikust is beillesztett kollekciójába. Biztos kvalitásérzékét jelzi, hogy tudta értékelni Gulácsy papírműveinek nagyságát is. Hiszen a századforduló nagy álmodozója számára az olajfestmények esztétikáját is áthatotta a rajzosság szelleme, mert a szabadkézi rajz jobban tükrözte az alkotó lelkének finom rezdüléseit. Ahogy maga vallotta: „Mindig a vonalak és színek harmonikus összerezgését keresem, a látott dolgokból magamnak alkotott képzet lehető legtökéletesebb visszaadására törekszem.”

 

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