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  • Tulips (Composition), 1972

Major, Kamill (1948 - )

Tulips (Composition), 1972

 Major, Kamill - Tulips (Composition), 1972 | 72nd Autumn auction auction / 114 Lot
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100,5x150 cm
Acrylic on canvas
Signed on the reverse: Major Kamill Bp

72nd Autumn auction / 114. Lot (2023-10-10)
Starting price: 10 000 000 Ft / 27 337 EUR
Estimation: 12 000 000 Ft- 18 000 000 Ft
/ 32 805 EUR - 49 207 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

72nd Autumn auction

Date:

2023. October 10. 18:00 - 23:00

  • Conditions of sale

Exhibited: Absztrakt tendenciák, November Galéria, 2022

Reproduced: Cserna Endre: Szocialista népi misztikum. Major Kamill: Kompozíció. Artmagazin online (2022. február 2.)

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Study

Irodalom

Cserna Endre: Szocialista népi misztikum. Major Kamill: Kompozíció. Artmagazin online, 2022. február 2.

 

Major Kamill művészete a második világháború utáni párizsi magyar absztrakt mesterekéhez kapcsolódik, Hantai Simon, valamint Anna Mark és Etienne Hajdu munkásságához. 1972-ben jutott ki a francia fővárosba, ahol felvették a L’École nationale supérieure des arts décoratifs grafikusi szakára. Geometrikus képi nyelvezetét a pusztulás-újrateremtés költői gondolatkörét vizsgáló mementók szerkezetéből szőtte, eljutva a mezopotámiai ékírásos Ecriture sorozatához. Az 1981-es Hantai-kiállítás művein dolgozva maga is hatalmas méretű vásznakkal kísérletezett. Ritmikusan ismétlődő absztrakt nyomokból felépülő festészeti univerzuma – írta róla Mattyasovszky Péter – a „fekete és fehér, színes és színtelen, telt és üres közötti metamorfózist kutatja; az anyag örök átváltozását, hogy az emberi test, az írott és vésett szövegek maradványainak prezentálásával tudatosítsa bennünk az ember és kultúrájának mulandóságát, s kitapogassa az emlékezet határait”.

A Pécsett érettségizett Major pályáját a Lantos Ferenc köré szerveződő geometrikus művészeti körben kezdte. Fontos szerepet játszott a közelmúltban újra felfedezett Bonyhádi Zománcművészeti Szimpózium elindításában. Korai munkái a Lantos-féle analitikus nonfiguratív rendszerek mértani esztétikáját idézik. A most vizsgált, már Budapesten született alkotás a mester tulipános motívumvilágának egyéni átfogalmazása. A 2022-ben a November Galériában bemutatott korai főművéről Cserna Endre írt elemzést az Artmagazinban: „Major Kamill egyik utolsó magyarországi munkáján a későbbi […] művein hangsúlyossá váló, motívumgyűjtő és -halmozó hozzáállása is megismerszik. A tulipánforma ritmikus és rideg színvariációit egyedül a zsákvászon felületi durvasága töri meg, a népi motívum keveredik a geometrikus absztrakció egyszerre gépies, indusztriális, materialista érzeteivel, miközben a transzcendencia, a (népi) misztikum és a spiritualizmus jellegeit is sugározza magából.”

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