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  • Studio Still Life with Flowers, Fruits, Statue, 1910s

Perlrott Csaba, Vilmos (1880 - 1955)

Studio Still Life with Flowers, Fruits, Statue, 1910s

 Perlrott Csaba, Vilmos - Studio Still Life with Flowers, Fruits, Statue, 1910s | 68th Auction auction / 217 Lot
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80,5x60 cm
Oil on canvas
Signed lower right: Perlrott Cs.

68th Auction / 217. Lot (2022-05-24)
Starting price: 22 000 000 Ft / 55 078 EUR
Estimation: 30 000 000 Ft- 50 000 000 Ft
/ 75 107 EUR - 125 178 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

68th Auction

Date:

2022. May 24. 18:00 - 22:00

  • Conditions of sale

Exhibited: Szenvedély és ráció. Perlrott Csaba Vilmos (1880–1955), Ferenczy Múzeum, Szentendre, MűvészetMalom, 2015

Reproduced: Szenvedély és ráció. Perlrott Csaba Vilmos (1880–1955), Ferenczy Múzeum, Szentendre, MűvészetMalom, 2015 (35.kép, 50 o.)

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Study

Jól tudjuk a Nyugat kritikusától, Bálint Aladártól, hogy a párizsias modernséget képviselő Perlrott Csaba Vilmos ugyanúgy merített a kubizmusból, mint a gótikából. És hozzátehetjük, hogy a kettő közötti művészettörténeti hagyományból is. Perlrott 1906-tól kezdve járt ki rendszeresen Párizsba, ahol beiratkozott Matisse szabadiskolájába. 1911-ben a fauve mestert követve Spanyolországba utazott, hogy együtt tanulmányozzák a kevéssé ismert spanyol klasszikusokat, mindenekelőtt Velázquez és Goya művészetét. A művészettörténeti érdeklődés a most vizsgált csendéleten is tetten érhető, hiszen a ropogósan modern ecsetvonásokkal megfogalmazott kompozíció jobb szélén egy fehér márványból kifaragott asztali szobordísz áll, három egymásba kapaszkodó Grácia kecses alakjával. De a festményt mindenekelőtt az avantgárd nagy előfutárának, Cézanne-nak a művészete alakította: a kékkel modellált ropogós fehér terítőben, a szinte „összegyűrt”, expresszív kancsókban vagy a széles színfoltokkal jellemzett gyümölcsökben mind őt láthatjuk. Ugyanakkor az az eredendő drámai kifejezésmód, amely érzelmi hurrikánnal rendez át egy egyszerű műtermi csendéletet is, mögé varázsolva az antik drámák viharjaihoz illő kékellő-barnálló drapériát, az az érett Perlrott egyedülálló, gondosan felépített képekben gondolkodó festészetének a sajátja. Ahogy Boros Judit írta a műről: „A kép sajátos hangulatát, szépségét fokozza, hogy ezt a bonyolult konstrukciót nagy tudással és könnyedséggel megfestett felületek gazdagságába rejtette a művész: a néző elsősorban ezzel találkozik, és csak lassan ismeri fel, mennyire tudatosan, átgondoltan építette fel Perlott Csaba Vilmos a kép egészét.”

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