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  • Reclining Nude at Nagybánya

Perlrott Csaba, Vilmos (1880 - 1955)

Reclining Nude at Nagybánya

 Perlrott Csaba, Vilmos - Reclining Nude at Nagybánya | 79th Winter Auction auction / 258 Lot
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95 x 130 cm
Oil on canvas
Signed lower left: Perlrott Csaba V.

79th Winter Auction / 258. Lot (2025-12-14)
Starting price: 24 000 000 Ft / 65 610 EUR
Estimation: 28 000 000 Ft- 38 000 000 Ft
/ 76 545 EUR - 103 882 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

79th Winter Auction

Date:

2025. December 14. 18:00 - 23:00

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Study

Irodalom

Elek Artúr: Perlrott Csaba Vilmos. Nyugat, 1923/2., 82–84.

Magyar Vadak Párizstól Nagybányáig. 1904–1914. Szerk.: Passuth Krisztina – Szücs György – Gosztonyi Ferenc, Magyar Nemzeti Galéria, Budapest, 2006.

Kettős arckép. Gráber Margit és Perlrott Csaba Vilmos kiállítása. Budapest Galéria, Budapest, 2007.

A Nyolcak. Szerk.: Markója Csilla – Bardoly István, Janus Pannonius Múzeum, Pécs, 2010.

Boros Judit: Perlrott Csaba Vilmos. Kossuth – Magyar Nemzeti Galéria, Budapest, 2015.

Szenvedély és ráció. Perlrott Csaba Vilmos (1880–1955) életmű-kiállítása. Szerk.: Basics Beatrix – Dománszky Gabriella, MűvészetMalom, Szentendre, 2015.

 

„Egy ideig meghatott bámulója voltam ennek a mesternek” – írta Perlrott Csaba Vilmos 1929-es memoárja lapjain Gauguinről. A romlatlan óceániai törzsi művészetet és a posztimpresszionizmust összeházasító francia mester hatása egyértelműen kitapintható a most vizsgált női aktkép formaképzésén és színkezelésén. Perlrott Csaba ahhoz a fiatal festőnemzedékhez tartozott, amely már megengedhette magának, hogy a klasszikus akadémiai stúdiumok helyett modern szellemiségű magániskolákban képezze magát. 1903-ban érkezett Nagybányára, majd 1906 végén jutott el a francia fővárosba, ahol több magániskolában is megfordult a következő időszakban. Több évig töltötte a teleket Párizsban, a nyarakat pedig azon a Nagybányán, ahol lezajlott már az összeütközés a konzervatívabb alapítók és a francia vadak szellemiségétől átitatott fiatal neósok között. Perlrott – értelemszerűen – a neósok táborával tartott, hiszen nemcsak képein jelent meg Matisse egyértelmű hatása, hanem beiratkozott a fauve mester híres szabadiskolájába is. A korábbi generációhoz tartozó Gauguin jelentősége mégis letagadhatatlan kibontakozó munkásságában. 1912-ben a nagy kölni expresszionista nemzetközi kiállításon például egymás mellett szerepelhettek. A sajtóhírek szerint a nagy francia mesterek váltották ki a legnagyobb csodálatot: „A kiállítás legnagyobb szenzációi Van Goghnak százhárom festménye és húsz rajza, Cézanne-nak harminc festménye, Gauguinnek huszonhat festménye és harminc fametszete és Picassónak huszonegy festménye.” A magyar anyagban viszont ott szerepeltek a fiatal magyar modernek, köztük Perlrott Csaba Vilmos is. E most vizsgált nagy méretű alkotást akár Gauguin képei mellé is fel lehetett volna akasztani.

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    (1880 - 1955)

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    (1880 - 1955)

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    1 750 000 Ft

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    (1880 - 1955)

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  •  Perlrott Csaba, Vilmos - Reclining Nude at Nagybánya

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    (1880 - 1955)

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    Signed lower left: Perlrott Csaba V.

    30 000 000 Ft

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    48 000 Ft

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