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  • On the Way Home, about 1871

Paál, László (1846 - 1879)

On the Way Home, about 1871

 Paál, László - On the Way Home, about 1871 | 22. Auction auction / 86 Lot
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43x63 cm
Oil on canvas
"Signed lower right L de Paál, and lower left ""Vente L. de Paál"" heritage stamp"

22. Auction / 86. Lot (2003-05-16)
Starting price: 29 000 000 Ft / 79 019 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

22. Auction

Date:

2003. May 16. 17:00 - 21:00

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Style:  Realism

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Study

LÁZÁR, Béla: Paál László, Budapest, 1903, Lampel Róbert (Wodianer F. és fiai). Művészeti Könyvtár. Szerk.: Dr. K. Lippich Elek
LÁZÁR, Béla: Paál László élete és művészete. Budapest, 1929, Franklin Társulat. [130 képpel, Paál műveinek jegyzékével, de méretek nélkül].
BÉNYI, László: Paál László. Budapest, 1983 (Második, átdolgozott kiadás), Képzőművészeti Alap Kiadóvállalata

Exhibited:
Blitz, Őszi aukció, 2001. november, kat.sz. 10.



The heritage and the early paintings

Property of László Paál was sold at the auction of April 21, 1880. Most of the materials consisting of 65 lots belonged to the Barbizon-period ( 44 pieces).
Except one painting dated and signed in Luxemburg, all the ones were created in Beilen or other Holland places. Consequently there are twenty works proving both the characteristic Düsselforf- style of Paál and having the well-known red stamp as well.

Düsseldorf and Holland

Paál started his study tours in Holland from Düsseldorf in autumn of 1870 and between August and November in 1871, this town was his last destination again.
The years in Düsselforf ( 1869-1872) had a great influence on the artist's oeuvre. This is the place where he became internationally well-known artist. This is the place from where he was invited to London by Forbes, his first significant collector; this is the place where he started using his wide and free brushwork, which distinguishes clearly his works of this period from the detailed style of the ones painted in Wien and at home. This let us feel the future style of the years in Barbizon.

In Düsseldorf Paál often worked with his home motifs.
In his pictures from Düsseldorf we meet not only the elements of the typical hungarian countryside but sometimes -such as in the Roda in Berzova- the places of the home in the surrounding of Arad as well.
For him the real thematic change was his experiences during his tours in Holland.
We find new places, new light effects, new colours and spirits in his paintings made in Beilen. He was inspired by not only the Holland countryside rather similar to the Hungarian one, but the classical traditions of the Holland landscape -painting too.
The superiority of the effects based on marks on the over-detailed parts and the harmonies are determinant in his compositions in Holland. The goal of the artist is to become spiritiually one with the soul of the landscape.
That is the reason why the deserted wood-episodes, undinstintive roads, simple cottages etc. as unimportant motifs pushed the great motifs of the nature, the castles, the historical countrysides, and the spectacular wonders of nature

One of the five paintings
The property of Paál, László auctioned in 1880 can be hardly reconstructed today. In 1929 there were only 12 lots from the former sixty- five. László Bényi could identify 20 works of the property in 1983.
However we know no more pieces but only four from his works made in Beilen and the whereaouts is known only of thre of the four.
The most beautiful piece showing close relations with this painting in question is the Cloudy countryside, 1871 born in Elph. Today it belongs to the Hungarian National Gallery.( Bényi, 1983. 41. picture)
Although the painting One hunred year old Woman does not belong to the heritage, but it has relations in every aspect too, also from 1871.( MNG, Bényi, 1983.38.lot).
This work to be auctioned was until now an unknown piece of the artist's works from Beilen. His value is increased by the fact that this one is only his fifth works which became well-known from the auctioned heritage of the holland 20 pieces series.

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