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  • In the Courtyard of San Servolo (Violin, Lovers, Venice, Wandering Family), 1914

Gulácsy, Lajos (1882 - 1932)

In the Courtyard of San Servolo (Violin, Lovers, Venice, Wandering Family), 1914

 Gulácsy, Lajos - In the Courtyard of San Servolo (Violin, Lovers, Venice, Wandering Family), 1914 | 80th Spring Auction auction / 195 Lot
  •  Gulácsy, Lajos - In the Courtyard of San Servolo (Violin, Lovers, Venice, Wandering Family), 1914 painting
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43 x 58 cm
Watercolor, pencil on paper
Signed lower right: L. Gulácsy Venezia S. Servolo 1914

80th Spring Auction / 195. Lot (2026-05-18)
Starting price: 5 500 000 Ft / 15 169 EUR
Estimation: 6 500 000 Ft- 9 000 000 Ft
/ 17 927 EUR - 24 822 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

80th Spring Auction

Date:

2026. May 18. 18:00 - 23:00

  • Conditions of sale

Exhibited: Tavaszi Tárlat („Fiatalok”). Nemzeti Szalon, Budapest, 1916 (kat. 361.)., Gulácsy. Na’Conxypan hercege. Magyar Nemzeti Galéria, Budapest, 2023 (kat. 158.).

Reproduced: Gulácsy. Na’Conxypan hercege. Szerk.: Bellák Gábor – Plesznivy Edit, Magyar Nemzeti Galéria, Budapest, 2023, 322.

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Study

Irodalom:

A Nemzeti Szalon Tavaszi Tárlata (Roskovics Ignác hagyatéka, a „Fiatalok” csoportkiállítása, valamint Pogány Gyula és Leonhardt Witold háborús kollekciója). Nemzeti Szalon, Budapest, 1916.

m.e.: Fiatalok a Nemzeti Szalonban. Magyarország, 1916. április 2.

Bálint Lajos: A Nemzeti Szalon tavaszi tárlata. Magyar Hirlap, 1916. április 16.

Szabadi Judit: Gulácsy Lajos. Corvina, Budapest, 1969.

Szíj Béla: Gulácsy Lajos. Corvina, Budapest, 1979.

Marosvölgyi Gábor: Gulácsy Lajos. Mundus, Budapest, 2008.

Gulácsy. Na’Conxypan hercege. Szerk.: Bellák Gábor – Plesznivy Edit, Magyar Nemzeti Galéria, Budapest, 2023.

 

Kosztümös filmbe kívánkozó jelenet: egy férfi hegedül az itáliai ház belső udvarán, körülötte nők énekelnek. A sétaút végéről két rokokó hangulatú figura követi muzsikájukat. Ez a fajta álmokból, történelemből és realitásból szőtt komponálás pont megfelelt Gulácsy századfordulós szimbolizmusban fogant esztétikai világának. Ahogy a Művészetről című írásában leszögezte: „Művész teljesen normális nem lehet. Csapongó fantáziája ne tűrjön sablonokat, szabadon, befolyásolatlanul alkossa műveit.” A kép alján – az 1914-es dátum mellett – olvasható helyszínmegjelölés szerint a mű San Servolóban készült, vagyis Velencének azon a szigetén, ahol egykor szerzetesek éltek, majd kórház és szanatórium üzemelt. Ide fogadták be azt a Gulácsyt, akinek álmokból és képzelgésekből font pszichés védőpajzsát széthasította az első világháború kitörésének kíméletlen valósága.

A most vizsgált kép nemcsak a 2023-as nagy Gulácsy-kiállítás közönségét nyűgözte le, hanem a száz évvel ezelőttit is. A modernek egyik fő korabeli fórumán, a Nemzeti Szalonban ekkor, egész pontosan 1916-ban rendezték meg a Fiatalok című kiállítást. Itt szerepelt a nagy hatású korábbi fiatal generáció, a nagybányaiak után színre lépő új nemzedék pár kiválósága, többek között a garantáltan friss hangot hozó, avantgárd erejű Nemes Lampérth József, Uitz Béla és Kmetty János. Hozzájuk társult Gulácsy Lajos is, akinek időtlen, kortalan misztériumára mindenki fogékony volt a korszakban. (Bár ekkor már egy évtizede jelen volt a pesti kiállítóterekben nosztalgikus hangulatú képeivel.) A korabeli sajtó üdvözölte a fiatalok fellépését, kiemelve a Vándorcsaládot is: „Gulácsy Lajos fantasztikus, misztikus, trecentós képei közül egy színes rész, a »Vándorcsalád« fogja meg legjobban a szemlélőt” – írta a Magyarország műkritikusa. Bálint Lajos se tudta megállni, hogy ne emelje ki az anyagból ezt a kis gyöngyszemet: „Gulácsy Lajos – írta a Magyar Hirlapban – erősen kívül esik e társaság közös hajlandóságain, s most sem mozdult el régebbi dolgainak szándékaitól. Vándorló család című rajza azonban egészen elsőrendű, finomságában és fantasztikus hatású rajzötleteiben.”

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