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  • In April by the Forest (Awakening Nature, Spring Buzz), 1932

Boromisza, Tibor (1880 - 1960)

In April by the Forest (Awakening Nature, Spring Buzz), 1932

Boromisza, Tibor - In April by the Forest (Awakening Nature, Spring Buzz), 1932 | 75th Autumn auction auction / 14 Lot
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80,5 x 100,5 cm
Oil on canvas
Signed lower left: with runes, On the reverse autograph inscription

75th Autumn auction / 14. Lot (2024-10-11)
Starting price: 6 000 000 Ft / 16 351 EUR
Estimation: 9 000 000 Ft- 14 000 000 Ft
/ 24 527 EUR - 38 152 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

  • Conditions of sale

Exhibited: Boromisza Tibor 1880–1960. MűvészetMalom és Kortárs Művészeti Központ, Szentendre, 2012 (kat. 166.).

Reproduced: Boromisza Tibor 1880–1960. MűvészetMalom és Kortárs Művészeti Központ, Szentendre, 2012, 197.

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Study

Irodalom

Hevesy Iván: Boromisza Tibor. Amicus, Budapest, 1922.

Jurecskó László: Boromisza. Tibor. Nagybányai korszaka (1904–1914). MissionArt Galéria, Miskolc, 1996.

Magyar Vadak Párizstól Nagybányáig 1904–1914. Szerk.: Passuth Krisztina – Szücs György, Magyar Nemzeti Galéria, Budapest, 2006.

Boromisza Tibor önéletrajzi feljegyzései. Szerk.: Török Katalin. Rectus, Szentendre, 2011.

Boromisza Tibor 1880–1960. MűvészetMalom és Kortárs Művészeti Központ, Szentendre, 2012.

 

Van Gogh Theo öccsének írt 1882-es levelében vallotta meg, hogy a fák ábrázolásában az emberi lélek kifejeződését látja: „Néha olyan vágyam van tájképet csinálni, mint ahogy vágyom egy hosszú sétára, hogy felfrissítsem magam; és az egész természetben, például a fákban kifejezést és lelket látok, hogy úgy mondjam.” Van Gogh olívaültetvényt ábrázoló képein tekergőznek úgy az ég felé az olajfatörzsek, a lelkek jelképei, mint a nyalka katonatisztből lett modern piktor, Boromisza Tibor festményén. Boromisza a 20. század eleji modern festészet érzékeny gondolkodója, a transzcendens filozófiák nagy értője volt. Expresszív parklátványait mindig az isteni fénysugár rendezi egységbe. Igazság a vásznon című 1908-as cikkében a Van Gogh-i lélekábrázoláshoz hasonló gondolatokat vetett papírra; a modern francia művészeket dicsérte, akik „szabadban keresték és találták föl a színek ragyogó üde igazságát. […] Oly képek, melyek a mi életünkről, környezetünkből hozzánk beszélnek.”

Boromisza különös figurája a nagybányai művésztelepről kisereglő fiatal, modern festőnemzedéknek. Pályáját katonaként kezdte, de elcsábította a művészet: leszerelt és piktornak tanult, előbb Nagybányán, majd Münchenben és Párizsban. A Ferenczy Károly mestertől ellesett posztimpresszionista érzékenységet hamar kiegészítette a friss modern hatásokkal, megteremtve a magyar pointillizmus legszebb főműveit és Van Goghot idéző, expresszív festői nyelvezetét. Kalandos élete során lakott a Margit-szigeten, majd az 1920-as években kiköltözött Szentendrére, ahol behatóan tanulmányozta a buddhizmust. 1927-ben elvált, és „nehéz karmáját” követve leköltözött a Hortobágyra. A sajátosan ősi, keleties karakterű művészet modern megfogalmazásmódját kereste a szilaj csikósok és délibábok között. A precíz datálás alapján ekkoriban készült a delejes hangulatú, kígyózó fákon túli hegycsúcsos panorámát ábrázoló különleges tájképe is.

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    (1894 - 1960)

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