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  • Green Landscape (Maria House, Village), 1908-1909

Czigány, Dezső (1883 - 1938)

Green Landscape (Maria House, Village), 1908-1909

 Czigány, Dezső - Green Landscape (Maria House, Village), 1908-1909 | 77th Spring Auction auction / 194 Lot
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46 x 58,5 cm
Oil on canvas
Signed lower left: Czigány

77th Spring Auction / 194. Lot (2025-05-28)
Starting price: 26 000 000 Ft / 70 854 EUR
Estimation: 32 000 000 Ft- 50 000 000 Ft
/ 87 205 EUR - 136 258 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

77th Spring Auction

Date:

2025. May 28. 18:00 - 23:00

  • Conditions of sale

Exhibited

Nagybánya. Nagybányai festészet a neósok fellépésétől 1944-ig, Miskolci Galéria, 1992 (kat. 31.; Tájkép).

A modern magyar festészet legszebb képei, Kieselbach Galéria, 2003.

Magyar Vadak Párizstól Nagybányáig 1904–1914, Magyar Nemzeti Galéria, 2006 (kat. 93.; Falu).

Reproduced

Nagybánya. Nagybányai festészet a neósok fellépésétől 1944-ig. Szerk.: Jurecskó László, Kishonthy Zsolt, MissionArt Galéria, Miskolc, 1993, 243.

Modern magyar festészet 1892–1919. Szerk.: Kieselbach Tamás, Kieselbach Galéria, Budapest, 2003, 424.

Rum Attila: Czigány Dezső. Budapest, 2004, 66.

Magyar Vadak Párizstól Nagybányáig 1904–1914. Szerk.: Passuth Krisztina – Szücs György, Magyar Nemzeti Galéria, Budapest, 2006, 138.

 

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Study

Czigány Dezső festménye a friss zöld lokálszínek és az agyagos földút vörhenyes terrakotta tónusának csattanós ellentétére épül. Ezt a fauve párost egészítik ki a levelek közé kevert lilás és kékes színfoltok, valamint a házak kiragyogó, halvány kékkel, rózsaszínnel vagy fakósárgával modellált, fehérre meszelt fala. A tájkép egy dimbes-dombos tájon elnyúló falu takaros, nyeregtetős házacskáit ábrázolja. Az előtérben kanyargó földút egy magányos házikó előtt halad el, minden bizonnyal egy útszéli feszületnek vagy épp olyasmi Madonna-ábrázolásnak adva otthont, mint amilyen a híres fauve Mária-ház képeken látható Tihanyi Lajos (Nagybányai Mária-ház, 1908 körül, Magyar Nemzeti Galéria) vagy Ziffer Sándor (Mária-ház, 1908 körül, magántulajdon) tolmácsolásában. A kis épület teteje megroggyant, mindenhonnan kúszónövények folyondárja veszi körbe, leplezetlenül hagyva tombolni a fauve színpaletta és a nyers festéktraktálás vad esztétikumát. Nem véletlenül került be a festmény az összes fontos kiállításba, amely azt mutatta, hogy miként csavarta el a fiatal nagybányás piktorok fejét Matisse és a párizsi modern művészet.

Czigány rövid budapesti és müncheni kitérőt követően, Hollósy Simont követve jutott el a plein air fellegvárába, Nagybányára a századfordulón. A nyughatatlan fiatal 1904 őszén utazott először Párizsba, ahová ettől kezdve közel egy évtizeden át szinte minden évben ellátogatott néhány hónapra. 1906-ban a legendás Függetlenek Szalonjában már nyolc művét mutatták be, a sokat látott Bölöni Györgyöt is meglepve, aki így jellemezte arcképeit: „hat kokott festett arcú, árnyékos szemüregű portréja között hetykén, Rembrandt-ízű arcképen nézett neki meresztő szemekkel a világnak, ismeretlenül.” Czigányt sokáig Cézanne-t idéző, zárt, plasztikus szerkesztésű festményei alapján ismerte a hazai művészeti közvélemény. De az elmúlt két évtized kutatásainak hála ma már ismerjük korai, felszabadult, Gauguin és Matisse képeinek hatása alatt álló „vad” periódusát is. A most vizsgált festmény ennek a fauve korszaknak az egyik főműve. De summázó, tömbszerű szerkesztésmódja visszatér majd a kései nizzai tájképeken is.

 

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