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  • Paál, László
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  • End of the village, about 1870-71

Paál, László (1846 - 1879)

End of the village, about 1870-71

 Paál, László - End of the village, about 1870-71 | 16th Auction auction / 133 Lot
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70x110 cm
oil on panel
signed lower right L. Paál

16th Auction / 133. Lot (2001-10-12)
Starting price: 12 000 000 Ft / 29 749 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

16th Auction

Date:

2001. October 12. 17:00 - 21:00

  • Conditions of sale

Style:  Realism

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Study

Exhibited
Exhibition in the Memory of László Paál, Országos Szépművészeti Múzeum (National Art Gallery), 1954, Cat. No. 17.

László Paál's landscape painting is one of the most valuable chapters of Hungarian painting. Paál and Mihály Munkácsy were the pioneers of a new approach to nature; in Europe the Barbizon-painters, while in Hungary Géza Mészöly were the most famous representatives of this new aspect. A horizon that is set to the viewer's point of view, the topics that to national romanticism were of no interest, (for example trees, woods, moor, village houses) and plain-air painting are all point towards a totally new aspect that prepared the ground for realism, naturalism and impressionism.
In 1954, the year of exhibiting the Confines of the Village, the picture belonged to a museum in Szeged. It was dated to 1872 at that time, but it seems to contradict to Paál' s painting practice that had already developed by that time. Comparing it to other works from 1870and 1871, it seems assumable that the work was made earlier than 1872.
Paál did not often prepared his paintings by drawing; he preferred the practice of painting a picture in one sitting. However, there are some works where he used the academic method of drawing the picture with only one colour (brown or grey), and than applying paint. Why this is important is that the work discussed here is also in this stage, where the viewer can observe in this brown picture Paál's perfect drawing construction - the discipline of the composition, which is unbounded by the lyrics of the topics. The Confines of the Village enables one to look at a slice of Paál's painting that is inaccessible when examining his great paintings - and that is what makes this picture exceptionally valuable, even when it is known that Paál's oeuvre numbers only about 150 works and it is always a sensation when one of his works appears from its hideaway.

Bellák, Gábor

16. Sale, Lot 133

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