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  • Young Girl in Blue Art Deco Hat, 1930s

Péter, Mária (1904 - ?)

Young Girl in Blue Art Deco Hat, 1930s

Péter, Mária - Young Girl in Blue Art Deco Hat, 1930s | 78. autumn auction auction / 90 Lot
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43 x 35 cm
Oil on canvas
Signed lower left: Péter M.

78. autumn auction / 90. Lot (2025-10-13)
Starting price: 2 800 000 Ft / 7 657 EUR
Estimation: 3 400 000 Ft- 4 200 000 Ft
/ 9 298 EUR - 11 486 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

78. autumn auction

Date:

2025. October 13. 18:00 - 23:00

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Study

Irodalom

XCVIII. csoportkiállítás. Basilides Barna, Basilides Sándor, Bernáth Aurél, Réfi-Kádi János, Péter Mária, Gy. Szabó Kálmán, Vaszkó Ödön festőművészek. Ernst Múzeum, Budapest, 1928.

Kopócsy Anna: Új Nyolcak. Festőnők a modern művészet sodrában. Holnap, Budapest, 2021.

 

Finom rajzosságú art deco portré. A csinos fiatal nő elgondolkodva ül a széken. Rajzos körvonalait hol a vastag fekete felülfestés, hol a kék modelláló tónus, hol a kihagyások minimalista gesztusa teremti meg. Fején az art deco korszak jellegzetes kalapja, az alapozás fehér foltjaival jellemzett masnival. A párizsi divatlapokba illő modern női figura szemét erős szempillafesték, ajkait vörös rúzs hangsúlyozza ki. Tűnődő karaktere mégis erős, független, értelmiségi nőt idéz meg. Olyanokat, akik közé a húszas évek női alkotói is tartoztak. A finoman komponált portré készítője, Péter Mária a két világháború között induló nőfestők széles mezőnyének tagja volt. Ez az a pillanat, amikor a magyar művészképzés kapui megnyíltak a „gyengébbik nem” előtt is. Hosszú harcot vívtak az emancipációért. Szinyei Merse Pál, a Képzőművészeti Főiskola idős igazgatója például így vélekedett a 20. század elején: „Elismerem, hogy ügyesek a nők, meg van érzékük sokféle finomsághoz, de hiányzik a hím őskaraktere: az alkotó, a teremtő, nagy teljes erő, amivel egyedül lehet csak abszolútbecsű művet alkotni.”

Péter Mária ebben az ellenséges klímában tanult Pesten, előbb Fényes Adolfnál, majd a női növendékekkel egyre barátságosabb Képzőművészeti Főiskolán. Rendszeresen dolgozott a szolnoki művésztelepen, de ellátogatott az art deco fővárosába, Párizsba is tanulni. A nyugodt alkotói szabadságot a neves ortopédkészülék-gyártó üzemet vezető férje, Zinner Miklós biztosította számára. 1928-as nagyszabású debütálására olyan más fiatal tehetségek mellett került sor, mint Bernáth Aurél vagy Vaszkó Ödön. A szolnoki művésztelepen készült tájképeit Lázár Béla méltatta a tárlat katalógusában: „Péter Mária a könnyed, szinte odalehelt, tiszta színek szerelmese. Balanszíroz a tárgyak testisége és a színek leheletfinom megérzése között. […] Csupa lágy és hullámzó színjáték a világa.” Ezeket az „odalehelt, tiszta színeket” látjuk most felbukkant arcképén, amely hibátlan eleganciával beszéli az art deco korának nemzetközi formanyelvét. 

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