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  • Szentendre Landscape with the Sun Breaking through the Clouds, 1927

Paizs-Goebel, Jenő (1896 - 1944)

Szentendre Landscape with the Sun Breaking through the Clouds, 1927

 Paizs-Goebel, Jenő - Szentendre Landscape with the Sun Breaking through the Clouds, 1927 | 68th Auction auction / 16 Lot
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61x70 cm
Oil on canvas
Signed lower left: Goebel J. 927

68th Auction / 16. Lot (2022-05-24)
Starting price: 3 400 000 Ft / 9 295 EUR
Estimation: 4 600 000 Ft- 7 500 000 Ft
/ 12 575 EUR - 20 503 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

68th Auction

Date:

2022. May 24. 18:00 - 22:00

  • Conditions of sale

Exhibited: Tavaszi Tárlat. Műcsarnok. 1927 (kat.397., Jön a vihar), Tavaszi Tárlat, Műcsarnok, 1928 (kat. 297., Szentendrei táj), Árkádia tájain. Szőnyi István és köre 1918-1928, Magyar Nemzeti Galéria, 2001 (kat. 130)

tájain. Szőnyi István és köre 1918-1928. Szerk.: Zwickl András, Magyar Nemzeti Galéria, Budapest, 2001. 174. (kat.130), Modern magyar festészet 1919-1964. Szerk.: Kieselbach Tamás. Budapest, 2004. 258. kép

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Study

Mintha egy korai Aba-Novák- vagy Szőnyi-tájképet látnánk: drámai fényjáték a viharos folyópart felett. A hátulról átvilágított, expresszív esőfelhő égi látomásként rendezi maga köré a tájat, a fákat, mezőket, házakat és a vízpartot. A kép lélekábrázoló ereje a korai Aba-Novák-féle festészet elementáris dinamizmusát idézi, pedig alkotója egy másik kortárs, Paizs Goebel Jenő. Paizs Goebelt a Szentendréhez kötődő, szürreális húrokon játszó magyar „álomfestészet” egyik legkiválóbb figurájaként ismerjük, egy rosszul halló, barkót viselő különcként, a két világháború közti művészet filmbe illő alakjaként, aki régi nemesi család sarjaként választotta a bohém életet. A szürrealizmussal rokonítható, harmincas évekbeli képei születése előtt megfordult Párizsban (Czimra Gyula barátja társaságában), Nemes Marcell ösztöndíjával megtámogatva. Itt a tektonikus tájfestés öreg mestere, Cézanne varázsolta el, miközben a költő Baudelaire volt legnagyobb ihletője. De fiatal magyar művészként egyértelműen a valamivel idősebb nemzedékhez tartozó Szőnyi-kör árkádiai piktúrája gyakorolta rá a legnagyobb hatást. (1927-es levele szerint tervezte, hogy meglátogatja Szőnyit Zebegényben.)

Franciaországban sokat dolgozott a Párizs melletti Barbizonban, a modern tájképfestészet szülővidékén. Majd hazatérte után, 1926-ban a „magyar Barbizonban”, Nagybányán tűnt fel. A sokféle tájfestői tradíció összefonódik az 1927-es viharos jelenetben, amelyet már születésekor is több kiállításon bemutattak. Verba Andrea monográfus szerint a kép Szentendrei táj címmel is szerepelt tárlaton, hiszen abból az esztendőből való, amikor Paizs Goebelék felfedezték maguknak Szentendre varázslatos városkáját.

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