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  • Self-Portrait with a Pipe, 1905

Berény, Róbert (1887 - 1953)

Self-Portrait with a Pipe, 1905

 Berény, Róbert - Self-Portrait with a Pipe, 1905 | 68th Auction auction / 198 Lot
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46,5x38,5 cm
Oil on canvas
Signed lower right: Berény R. Paris 1905, On the reverse: label and stamp (E. Lafontaine Paris)

VÉDETT / NO EXPORT


Provenance: Earlier in the collcetion of Márton Markovics, than then owned by his heirs.

68th Auction / 198. Lot (2022-05-24)
Starting price: 2 000 000 Ft / 5 632 EUR
Estimation: 2 500 000 Ft- 5 000 000 Ft
/ 7 039 EUR - 14 079 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

68th Auction

Date:

2022. May 24. 18:00 - 22:00

  • Conditions of sale

Exhibited: Berény Róbert emlékkiállítása, Magyar Nemzeti Galéria, 1963 (kat. 4.)

Reproduced: Művészettörténeti Értesítő, 1961/2–4., 216., Berény Róbert emlékkiállítása. Magyar Nemzeti Galéria, Budapest, 1963, 1. kép

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Study

Irodalom

Berény Róbert emlékkiállítása. Szerk.: Szíj Béla, Magyar Nemzeti Galéria, Budapest, 1963

Székely András: Berény Róbert emlékezete. Élet és Irodalom, 1977/12., 12.

Magyar Vadak Párizstól Nagybányáig (1904–1914). Magyar Nemzeti Galéria, Budapest, 2006

A Nyolcak. Centenáriumi kiállítás, Janus Pannonius Múzeum, Pécs, 2010

Barki Gergely: Berény Róbert. Kossuth – Magyar Nemzeti Galéria, Budapest, 2015

 

A modern festészet fenegyereke

Berény 1906-ban már mint a magyar vadak enfant terrible-je Párizsban állított ki az Őszi Szalonon. De Matisse előtt Zemplényi Tivadar volt a mestere Budapesten. A pesti zsidó polgárcsaládba született Berény – zenei érdeklődése mellett – 1904-től már szervezett képzőművészeti képzésben részesült a Mintarajziskolában. Korai képeit Munkácsy Mihály és Rembrandt ihlette, ahogy a most vizsgált ifjúkori önarcképén is látható. A fiatal művész öntudatosan szúrja tekintetét a nézőébe, szája sarkából füstölgő pipa lóg ki, elegáns nyakravalót, ropogós fehér inget és sötétzöld felöltőt visel. A választékos öltözék a 19. századi piktorok világát ígéri, de az arc darabos megformálásából és a modelláló zöld árnyékokból már sejthető, hogy az önarckép a modern művészet fellegvárában, Párizsban készült. Ez nem is lehet kérdéses, hiszen a dátum mellett ott a város neve, a vászon hátoldalán pedig a francia művészellátó – E. Lafontaine Paris – pecsétje.

Családi örökség

A festmény a Markovics családban öröklődött nemzedékről nemzedékre. Markovics Márton – az emlékek szerint – a Nemzeti Szalon egyik kiállításán vásárolta meg a képet. A festményre a kutatás a művész 1953-as halála után figyelt csak fel. Az akkor özvegy Fenyves Lászlóné (Markovics Piroska) tulajdonában őrzött önarckép szerepelt Berény nagy szabású, Nemzeti Galériában rendezett életmű-kiállításán 1963-ban. (Ugyanitt szerepelt a szintén a család tulajdonában lévő korai Berény-csendélet órával, virággal, szivarral és a Pesti Naplóval.) Bár Berény még húszéves sincs a kép festésekor, már ekkor több – ma is jól ismert – önarckép állt a háta mögött. Az Első önarckép címen számon tartott 1903-as művét a Magyar Nemzeti Galéria őrzi, de még ennél korábbi is felbukkant napjaink műkereskedelmében. Egy anekdotikus történet szerint Medgyessy Ferenc egyszer megkérdezte a Berénytől: „Azt hiszed, ha ilyen sokszor fested magad, szebb leszel? Én nem – felelte –, de a képeim talán igen.” Berény önarcképfestészete érzékeny szeizmográfként követi a nagy modern művész lelki- és stílusvilágának alakulását.

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    (1898 - 1990)

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    185 000 Ft

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