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  • Pulsatilla Field, c. 1912

Kádár, Géza (1878 - 1952)

Pulsatilla Field, c. 1912

Kádár, Géza - Pulsatilla Field, c. 1912 | 58th Spring Auction auction / 67 Lot
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69x84 cm
oil, canvas
signed lower right: NB. Kádár Géza

IRODALOM | bibliography
- Nagybányai festészet a neósok fellépésétől 1944-ig.
Szerk.: Jurecskó László – Kishonthy Zsolt,
MissionArt Galéria, 1992
- Lator László: Kakasfej vagy filozófia?
Mire való a vers? Európa, 2000

58th Spring Auction / 67. Lot (2018-05-13)
Starting price: 4 200 000 Ft / 11 446 EUR
Estimation: 5 000 000 Ft- 8 500 000 Ft
/ 13 626 EUR - 23 164 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

58th Spring Auction

Date:

2018. May 13. 18:00 - 21:00

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Study

Tősgyökeres nagybányai

Lila virágokkal tarkázott, dúsan zöldellő nyári mező. Balra a hajdani Szent István templom megmaradt gótikus tornya látszik, középen a református templom – ezer nagybányai festményen megörökített – jellegzetes, vöröses, kupakszerű tornya. A kép festője a nagybányai művészkolónia egyik ismert képviselője, Kádár Géza. Kádár Hollósy Simon tanítványaként (és földijeként) 1908 és 1916 között élt először Nagybányán, végig követve a fiatal neósok modern lázadását. Czóbel, Perlrott és Boromisza is gyakran megfordult házában. Az ő színhasználatuk, nyers koloritjuk is meg-megérintette posztimpresszionista iskolázottságú festészetét. 1923-tól végleg letelepedett a városban, haláláig ott lakott, tősgyökeres nagybányaivá válva.

Kökörcsin és kikerics

A most vizsgált festmény párdarabja szerepelt a nagy 1912-es jubileumi kiállításon Nagybányán. A hátlapjára maga a művész írta rá, hogy Kökörcsinmező a címe. A ragyogó zöld domboldalt tarkázó kökörcsinek a lila különféle tónusainak impresszionista árnyalataival játszanak a bordótól a világoskékig. A most vizsgált változat „később” játszódik. A jellegzetes, körtealakú szénaboglyák jelzik, hogy benne járunk már a nagybányai késő nyárban: az élettől kicsattanó fákon mélyzöld lombok (nem virágok, mint a tavaszi változaton), a mező fejedelmi zöldjét kis lila virágok pettyezik. Ha hihetünk a botanikai könyveknek, nem a tavasszal nyíró kökörcsint látjuk itt, amit amúgy is könnyen össze lehet keverni a nősziromfélék családjába tartozó, nagyon hasonló sáfránnyal (krókusz), hanem az ősszel nyíló, liliomvirágúak közé tartozó kikericset.

Költők virága

A kikericsért mindig is lelkesedtek a költők. Arany János a sárgára égett tarlón utoljára kivirágzó őszi kikerics népies neve után keresztelte el utolsó verseskötetét Őszikékre. A századforduló dekadens szellemiségére hangolt költők előszeretettel merengtek el a delejes virág szimbolikáján. Guillaume Apollinaire 1907-ben külön verset szentelt neki; a Kikericsek az 1913-as híres Szeszek című kötetben jelent meg, Radnóti Miklós fordította le: „Kikericsek virítnak kékek és lilák / Álmos szemed olyan mint itt ez a virág”. Bár a festmény pontosan akkoriban született, mint Apollinaire verse, nem valószínű, hogy a Nagybányán élő magyar művész ismerhette ezeket a sorokat. Viszont mindketten osztoztak abban a szecessziós, érzékeny korszellemben, amely egy virágos mezőbe is belevetítette a lélek belső mozgásait.

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