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  • Lights in the Forest of Barbizon, around 1876

Paál, László (1846 - 1879)

Lights in the Forest of Barbizon, around 1876

 Paál, László - Lights in the Forest of Barbizon, around 1876 | 64st Autumn Auction auction / 225 Lot
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72x92 cm
Oil on canvas
Unsigned

Provenance: Once owned by Francois Ganne, a Barbizon innholder, then by his heirs, later in the collection of László Bényi.

64st Autumn Auction / 225. Lot (2020-09-18)
Starting price: 12 000 000 Ft / 32 805 EUR
Estimation: 16 000 000 Ft- 28 000 000 Ft
/ 43 740 EUR - 76 545 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

64st Autumn Auction

Date:

2020. September 18. 18:00 - 22:00

  • Conditions of sale

Exhibited: Paál László. A természet katedrálisában. Bozsó gyűjtemény, Kecskemét, 2018.

Reproduced: Bényi László: Paál László. Budapest, 1979. (43.), Bényi László: Paál László. Budapest, 1983. (143.), Paál László. A természet katedrálisában. Katalógus. Bozsó gyűjtemény, Kecskemét, 2018. 25.

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Study

A fák titkos életrendje

Erdőmélyi különös hangulatú jelenet: a farakások között a fontainebleau-i erdő vékony, magas fái sorakoznak. A két középső fatörzs derekára sárga-fehér csíkot rajzol a lombokon átszűrődő napsütés, zeneiséggel töltve meg a plein air felé kacsingató könnyedséggel feldobott árnyékos kompozíciót. Paál a műterem steril világából a természetbe vágyott, „ez az én iskolám, ez mindenem” – írta nővérének ekkoriban. Első életrajzírója, Lázár Béla ragadta meg pontosan barbizoni képeinek hangulati varázsát: „a délutáni árnyéklatok, az esti szürkületek, a hó-olvadásos táj reggeli pirkadása, a lombokon átszűrődő fény, a déli fénysugárzás, az esti pír, az ég színjátéka: a kékes ragyogástól a szürke esőfelhőkig, a borongástól a virradat fehéres rezgéséig. Csak szín, sehol egyedül álló, külön életet élő részlet, hanem a nagy mindenség, gazdag levegő-lepelben, fény- és árnyékjátékban, csupa intim részlet, patak partja, erdőmélye, szomorú füzes, vidám gyertyános, komor platánok, rezgő levelű nyíres, illatos akácfasor, szálas tölgyek, – mindég fa és fa, melyeknek titkos életrendjébe belelesett.”

L’auberge Ganne

Paál László rövid élete során mindvégig csak a festészetre koncentrált, nem munkássága menedzselésére. Bár az életmű mind a mai napig csak töredékében van feldolgozva, olyan szerencsés „leletekre” ma már nem nagyon lehet bukkanni, mint ami a második világháború után került elő a barbizoni fogadós, Francois Ganne egykori padlásáról. (A L’auberge Ganne műintézményből az 1990-es években múzeumot alakítottak ki a barbizoni festők számára, Corot, Millet, Théodore Rousseau műveivel, valamint egy 2014-ben vett Paál László-képpel.) A két felfedezett festményt közül a most vizsgált alkotást a festő kiváló szemű monográfusa, Bényi László vásárolta meg 1969-ben. A hagyatékban fennmaradt, sok esetben utólag „befejezett” Paál-művekkel szemben (Munkácsy sokszor emberalakokkal egészítette ki a kompozíciókat) itt a maga ropogós eredetiségében látható a kép felülete, úgy ahogy a festő odaajándékozta a legendás fogadót vezető Ganne úrnak.

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