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  • In Smith Workshop, 1960

Gruber, Béla (1936 - 1963)

In Smith Workshop, 1960

Gruber, Béla - In Smith Workshop, 1960 | 62st Autumn Auction auction / 73 Lot
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120x170 cm
Tempera, pastel,aluminium foil on fibre boar
Signed lower right: hagyatékibélyegzővel: Gruber Béla festőművész hagyatéka

62st Autumn Auction / 73. Lot (2019-10-11)
Starting price: 2 200 000 Ft / 5 995 EUR
Estimation: 2 600 000 Ft- 3 800 000 Ft
/ 7 085 EUR - 10 356 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

62st Autumn Auction

Date:

2019. October 11. 18:00 - 21:00

  • Conditions of sale

Reproduced: Gruber Béla (1936–1963) élete és művei. Szerk.: Gruber Ágota, Efo Kiadó, Százhalombatta, 2007, 588-as kép

Bibliography:

– Gruber Béla (1936–1963) élete és művei. Szerk.: Gruber Ágota, Efo Kiadó, Százhalombatta, 2007

– Németh Lajos: Modern magyar művészet. Corvina Kiadó, Budapest, 1968

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  • We provide certificate work of origin for every purchased work of art
    We provide certificate work of origin for every purchased work of art

  • Personal viewing in the gallery
    After making an appointment in the Kieselbach Gallery in Budapest

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Study

Cézanne, Van Gogh

 

„A művészetnek vannak rabszolgái, az egyik Ő volt” – emlékezett vissza a fiatalon elhunyt tanítványára Bernáth Aurél 1976-os emlékkiállításán. Pedig sem ő, sem tanár kollégái nem tudtak mit kezdeni a kirobbanóan tehetséges, mégis öntörvényű és szélsőségesen érzékeny Gruber Bélával. A tragikusan fiatalon elhunyt titánt a 20. század második felének legnagyobb hatású művészettörténész professzora, Németh Lajos a fiatal nemzedék egyik kulcsfigurájaként ünnepelte: „Gruber a cézanne-i örökséget élesztette fel, de stílusának szerves összetevőjévé vált már a szimultán kontrasztok elve is, és a cézanne-i formanyelv műveiben Van Gogh nyers indulatával telítődött. Témakörét leszűkítette: a festőműterem, csendéletek, önarcképek, majd a kórház parkja, kivilágított épülete. (…) Festéktraktálása brutális, úgyszólván szobrászi hatást ébreszt. A szín Grubernél ezért nemcsak festői elem, a látvány hordozója, hanem az anyag tartozéka, egylényegű vele, nem csupán fényvisszaverődés, hanem gyúrható, mint az agyag.”

 

Hajógyári kovácsműhely

 

Grubert az 1960-as évek szakmai közege a háború utáni művészet Derkovitshoz méltó ifjú tehetségeként ünnepelte. A Kovácsműhelyben című képet nézve direkt kapcsolódási pontokat is találunk: az üllők formáját kihangsúlyozó ezüstfólia darabok Derkovits Gyula híres sztaniol heringjeit idézik. A jelenet az életmű-katalógusban az 588-as számot viseli, a körülötte festett képekből tudhatjuk, hogy a helyszín az Óbudai Hajógyár volt. Gruber súlyosan nélkülöző, lecsúszott polgári család gyerekeként már 16 évesen – 1952-ben – dolgozni kényszerült az Óbudai Hajógyárban, anyagmozgató munkásként, majd áttették a dekorációs osztályra, ahonnan már bejutott a Képzőművészeti Főiskolára. A most vizsgált festmény már az iskolában készült, felelevenítve a korábbi, hajógyári emlékeket. A kréta és a szén virtuóz forgatása, az applikált fóliaelemek és a szerkezetes látásmód a munkástémából olyan modern művet varázsol, amely a cézanne-i és Van Gogh-i alapelvek mélységes megértéséről tanúskodik.

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