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  • Dripping Gestures, 1974

Fisch, István (1922 - 2007)

Dripping Gestures, 1974

 Fisch, István - Dripping Gestures, 1974 | 77th Spring Auction auction / 141 Lot
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130 x 90 cm
Oil on canvas
Signed lower left: Fisch 74

77th Spring Auction / 141. Lot (2025-05-28)
Starting price: 1 600 000 Ft / 4 374 EUR
Estimation: 2 400 000 Ft- 3 200 000 Ft
/ 6 561 EUR - 8 748 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

77th Spring Auction

Date:

2025. May 28. 18:00 - 23:00

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    We provide certificate work of origin for every purchased work of art

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Study

Fisch István földszínekre hangolt absztrakt kompozíciója a háború utáni európai gesztusfestészet hagyományának ihletett folytatója. Abból az esztétikai paradigmából való, ami a szocreál hegemóniája miatt szinte hiányzik a magyar művészet történetéből. Fisch a rovátkolt, éles ecsetnyomokkal karistolt alapfelületet először fehérre festette. Erre kerültek fel a viaszos hatású, halványbarna foltok, illetve a feketével és sötétbarnával csurgatott, art brut vadságát idéző vonalgesztusok. Az itthon alig ismert alkotó Budapesten született, majd Bernáth Aurél és Barcsay Jenő növendékeként járt a Képzőművészeti Főiskolára a 40-es évek közepén. Diplomát már Rómában szerzett a második világháború után. Azokban az években tanult az olasz fővárosban, amikor Alberto Burri informel művészete megjelent a színen. Burri az európai absztrakció nagymestere, aki nyers vásznak, homok vagy ragasztó hozzáadásával alakította ki drámai súlyú gesztusvilágát. A föld által adott anyagokat formálta át esztétikai minőséggé, ahogy Fisch István is. Az Olaszországban tanult fiatal magyar művészt Bernáth haza hívta volna tanársegédnek a szocreál felé robogó intézménybe, de Fisch politikai okokból inkább Párizsba költözött feleségével. Filozófiai tanulmányok mellett – Hajdu István (Etienne Hajdu) közvetítésével – megismerkedett a modern szobrászat nagy román mesterével, Brancusival. Párizsban rendszeresen kiállított, miközben évekig tanított Tel-Avivban és Chicagóban. A franciaországi magyar emigráns művészek legjobb ismerője, Cserba Júlia így jellemezte művészetét: „Expresszív módon fest, a benne felgyülemlett feszültség alakul át vibráló formákká, kusza vonalakká. Festményein a szürke és fekete szín dominál. Különösen a tér ábrázolásának problémája foglalkoztatja.”

 

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