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  • Daydreaming, 1921

Czigány, Dezső (1883 - 1938)

Daydreaming, 1921

 Czigány, Dezső - Daydreaming, 1921 | 75th Autumn auction auction / 108 Lot
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80 x 70,5 cm
Oil on canvas
Signed lower right: Czigány 1921

75th Autumn auction / 108. Lot (2024-10-11)
Starting price: 12 000 000 Ft / 32 805 EUR
Estimation: 16 000 000 Ft- 22 000 000 Ft
/ 43 740 EUR - 60 142 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

  • Conditions of sale

Reproduced: Rum Attila: Czigány Dezső. Budapest, 2004, 133. kép.

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Study

Irodalom

Rum Attila: Czigány Dezső. Budapest, 2004, 203.

A Nyolcak. Szerk.: Markója Csilla – Bardoly István, Janus Pannonius Múzeum, Pécs, 2010.

Rum Attila: Czigány Dezső. Kossuth – Magyar Nemzeti Galéria, Budapest, 2015.

 

„Irigyelem azokat, […] akik először fogják észrevenni Czigány Dezsőt, ezt a fiatal, nagy lélek-rajzolót” – mondta Ady Endre 1908-ban a Nyolcak ifjú tehetségéről. Czigány költő barátjáról festett arcképei ugyanúgy monokrómban vannak tartva, mint a most elemzett női portré, és ugyanúgy idézik meg a korabeli piktorialista fotográfiák sejtelmes esztétikumát. A legfontosabb közös ihletőjük viszont a holland aranykor nagy mestere: Rembrandt van Rijn. A 20. század első éveiben a modern magyar festők körében Rembrandt kiemelt jelentőségre tett szert. A holland zseni sötétből felfénylő koloritja és modern lélekábrázolása ugyanúgy inspirálta Pór Bertalant, mint a tanulmányai elején járó Berény Róbertet. Czigány számára a rembrandti pszichologizálás derengő gyertyafénybe öltöztetett portréművészete meghatározó előképnek számított. 1906-ban több arcképpel szerepelt a párizsi modernek fórumán, a Függetlenek Szalonján, amelyek közül önarcképét Bölöni György műkritikus épp Rembrandt nevével jellemezte visszaemlékező soraiban: „Czigány Dezső sem az, aki volt, bármilyen kedvesen, vidáman és bohémeskedve viseli az életet, nem az, aki volt valamikor Párizsban a Salon des Indépendants-ban, mikor hat kokott festett arcú, árnyékos szemüregű portréja között hetykén, Rembrandt-ízű arcképen nézett neki meresztő szemekkel a világnak, ismeretlenül.” A most vizsgált fiatal lány portréján is tetten érhető a rembrandti festőiség, de a szecessziós elvágyódás elégikus szépségével átitatva.

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