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  • Clouds at Balatonaliga, 1929

Csók, István (1865 - 1961)

Clouds at Balatonaliga, 1929

 Csók, István - Clouds at Balatonaliga, 1929 | 64st Autumn Auction auction / 62 Lot
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82x67 cm
Oil on canvas
Signed lower left: Csók I. B.Aliga 929.

Provenance: Once in the collection of Gábor Kovács

64st Autumn Auction / 62. Lot (2020-09-18)
Starting price: 4 000 000 Ft / 11 263 EUR
Estimation: 4 500 000 Ft- 6 500 000 Ft
/ 12 671 EUR - 18 303 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

64st Autumn Auction

Date:

2020. September 18. 18:00 - 22:00

  • Conditions of sale

Exhibited: Csók István kiállítás, Polgár Galéria és Aukciósház, Budapest, 2001; Édes élet, Vaszary Villa, Balatonfüred, 2012; „CSÓK – a derűs élet festője” , Várkert Bazár, Budapest, 2015

Reproduced: Csók István (1865-1961) festészete. Bálványok és démonok. A Szent István Király Múzeum közleményei. Székesfehérvár. 2013. 382. oldal. Katalógus szám 125. [98.]; Polgár Árpád: A múzsa Csókja. Polgár Galéria, Budapest. 2001. 30. page

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Study

„Egyazon téma festői változatainak legszebb példája Csók Balaton-ciklusából bontakozik ki. Az 1910-től három évtizeden át folyamatosan festett, megközelítőleg félszáz balatoni tájképét a festő egységes művészi elgondolás mentén dolgozta ki és építette összefüggő ciklussá, amire ő maga és az egykorú műkritika egyaránt utal. Több lépcsőben bemutatott sorozata azonban sosem foglalhatta el az őt megillető helyet a tó gazdag ikonográfiájában, hiszen kiállításukat követően a Balaton-képek nem kerültek közgyűjteménybe, darabjai a háború alatt megsemmisültek, szétszóródtak. Éppen ezért az életműnek ez a festőileg talán legszabadabb része a legkevésbé rekonstruálható az utókor számára.

A Balatonról első élményeit Csók kamasz fiúként szerezte: „Még apám életében kezdődött. Afféle vidéki körutat tettünk, befogattuk a sárgákat és a könnyű kocsin indultunk el Pusztaegresről, ahol apámnak malma, birtoka volt. Először keveset láttam a Balatonból Aligánál, a platóról. Homályosan tűnt fel Tihany; Petőfi jutott az eszembe, azaz János vitéz, amint az óriások szigete fölrémlik előtte. Tizennyolc éves voltam, csak éreztem a szépséget, de kellő módon nem tudtam még számot adni róla.” A vízpart témája érett művészként is vonzotta, a századfordulón gyakran megfordult családjával a velencei Lidón. Aligára családi kapcsolatai vezették el: anyai nagybátyja, Öreg János 1909-ben látta vendégül az ekkor már Párizsban élő festőt és fiatal feleségét újonnan épült nyaralójukban.(...)

Ettől kezdve két évtizeden át a festő családjával minden nyáron eltöltött pár hetet Aligán. (...) „Festői szempontból csakis Aliga az ideálom. Onnan nézve a legszélesebb a Balaton s onnan kapom a remek naplementét. Aligáról a legmegkapóbb. Igaz, másutt is van csodálatos motívum. De nem olyan teljes, mint Aligánál. Nem annyira a Balaton. Amit csak a víz nyújt, szerintem csupán Aligánál kapja a piktor teljességében” – nyilatkozta később Csók a hely szépségeiről. A tó ezen délkeleti csücskének látványa már a megelőző festőnemzedékeket is megihlette, amint erről Kelety Gusztáv, Dörre Tivadar, Molnár József tájképei tanúskodnak.”

Révész Emese: Változatok a „Nagy Semmi”-re. Csók István Balaton-képei. 2013

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