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  • At the Gate of a New Life (Wedding), c. 1930

Batthyány, Gyula (1887 - 1959)

At the Gate of a New Life (Wedding), c. 1930

 Batthyány, Gyula - At the Gate of a New Life (Wedding), c. 1930 | 78. autumn auction auction / 77 Lot
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83 x 103 cm
Oil on canvas
On the reverse: exhibtion label of Venice

78. autumn auction / 77. Lot (2025-10-13)
Starting price: 27 000 000 Ft / 76 159 EUR
Estimation: 30 000 000 Ft- 38 000 000 Ft
/ 84 621 EUR - 107 187 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

78. autumn auction

Date:

2025. October 13. 18:00 - 23:00

  • Conditions of sale

Reproduced: Molnos Péter: Gróf Batthyány Gyula. Az elveszett Magyarország festője. Népszabadság, Budapest, 2007, 72. kép.

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Study

Irodalom

Gr. Batthyány Gyula, Detre Szilárd, Paizs-Goebel Jenő, Gr. Széchenyi Irma és Tóth B. László festőművészek és Beck András szobrászművész együttes kiállítása. Ernst Múzeum, Budapest, 1935.

Molnos Péter: Gróf Batthyány Gyula. Az elveszett Magyarország festője. Népszabadság, Budapest, 2007.

Molnos Péter: Gróf Batthyány Gyula. Képek egy eltűnt világból. Kieselbach Galéria – Rómer Flóris Művészeti és Történeti Múzeum, Budapest–Győr, 2015.

 

Batthyány Gyula a valós esemény emlékképét átengedte saját szűrőjén, egyéni vonalkultúrájához igazítva a realitást, hiszen számára a valóság csak kezdőpont. Ahogy Lázár Béla az Ernst múzeumbeli 1937-es kiállítása kapcsán elemezte művészetét: „A legelső perctől kezdve a természet neki csak kiindulás; csak képzeletfelbujtó, csak formaalakító ösztönének megindítója volt s az maradt máig. […] A képzeletében teremti meg a világot. A világnak kell hozzá formálódnia.” A különc gróf életében kiemelt szerepet játszott az éjszakai élet, a történelmi arisztokrácia gondtalan jólétben felnőtt tagjaként szinte kötelességszerűen járta az estélyeket. Nemcsak a nyugati nagyvárosok neves mulatóiban fordult meg rendszeresen, észlelve a modern zene térnyerését, de ismernie kellett a budapesti dzsesszorfeumok csillogó, erotikával teli miliőjét vagy a mágnások fogadásait is. Ars poeticával felérő korai gondolatai éppen ezt diktálják: „Könnyűszerrel, de biztos készséggel megjeleníteni a lét napos szépségeit: ez művészi ideálom. A bánat, a nyomorúság, minden, ami leverő és rosszuleső, nem valók megörökítésre. Legyen a képzőművész az emberiség kiválasztottja, ki csak a szépet, színeset, gazdagot, illatosat látja.”

A képen sorjáznak a részletek: mennyasszonyi fátyol, csillogó nyakkendőtű, keményített gallérok, rúzsozott ajkak, igazgyöngy sorok, tollas art deco kalapköltemények, brillantinnal hátra nyalt csillogó fekete fürtök. Előkelő esküvő az 1930 körüli időszakból. Szinte hallani véljük az evőeszközök csilingelését, a beszélgetés zsivaját, a beszűrődő tánczenét, a gyöngyöző kacagásokat. Batthyány Gyula gróf ecsetje előtt megelevenedik az elit menyegzője, középen ül az ifjú pár, körülöttük pedig a szorbéjukat kanalazó vidám násznép tagjai. A fejdíszek, ékszerek és szmokingok alapján bárhol járhatunk a világban, az amerikai iparmágnásoktól kezdve a párizsi előkelőkön át a magyar nagytőkések köréig. Az elit társaság úgy van felöltözve, ahogyan diktálta az illem egy igazi gálavacsora vagy egy luxusmulatóba tett látogatás alkalmával.

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