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  • Young Girl in a Hat, c. 1924-1927

Kontuly, Béla (1904 - 1983)

Young Girl in a Hat, c. 1924-1927

 Kontuly, Béla - Young Girl in a Hat, c. 1924-1927 | 80th Spring Auction auction / 125 Lot
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102 x 71 cm
Oil on canvas
Signed upper right: Kontuly B.

80th Spring Auction / 125. Lot (2026-05-18)
Starting price: 5 500 000 Ft / 15 036 EUR
Estimation: 6 500 000 Ft- 9 500 000 Ft
/ 17 769 EUR - 25 970 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

80th Spring Auction

Date:

2026. May 18. 18:00 - 23:00

  • Conditions of sale

Reproduced: Bizzer István: Kontuly Béla. 1904–1983. Mikes, Budapest, 2003, 17., BÁV 89. festményárverés, 1992. XI. (Kat.sz. 189.)

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Study

Irodalom

P. Szűcs Julianna: A „római iskola”. Corvina, Budapest, 1987.

Bizzer István: Kontuly Béla, 1904–1983. Mikes, Budapest, 2003.

Kosice modernism. Kosice Art in the Nineteen-Twenties. Szerk.: Lena Leskova, Vychodoslovenska Galeria, Kassa, 2013.

New Realisms. Modern Realist Approaches across the Czeshoslovak Scene, 1918–1945. Szerk.: Ivo Habán, National Heritage Institute, Liberec, 2019.

 

A festményt Kontuly Béla monográfusa, Bizzer István még lappangó műként tartotta számon két évtizeddel ezelőtti könyvében. A csak fekete-fehér, a BÁV katalógusából kölcsönzött fotóról ismert portré most végre felbukkant. Az art deco divat szerinti kalapot hordó modern szépség arcképe a festő római iskolás korszaka előtt készült. A fiatal művész 1928 és 1931 között tartózkodott ösztöndíjasként az örök városban, előtte Pesten és a Felvidéken építette pályáját. Kontuly művelt polgárcsaládban nőtt fel Kassán a 20. század elején. A kassai modernek körébe tartozó, de klasszicizáló Krón Jenő szabadiskolájában képezte magát a nyitott szellemiségű, pezsgő helyi művészeti színtéren. Nem véletlenül tartja nagyra a két világháború közötti korszakot vizsgáló szlovák és cseh művészettörténet is. Rövid prágai kitérő után Kontuly a budapesti Képzőművészeti Főiskolán folytatta tanulmányait, ahol megismerkedett a fiatal Szőnyi István körül összegyűlő újklasszicisták művészeteszményével. Ebben az időszakban készült a franciás, oldott festőiséggel előadott portréja, amelynek beállítása nem, de stílusa eltér a Kontulytól megszokott hűvös, rajzos karaktertől.

A művészettörténet a két világháború közötti „újrealizmusok” néven ismert jelenséget a világ minden táján kutatja. (Miközben a hazai szaktudomány P. Szűcs Julianna sok évtizeddel ezelőtt, 1987-ben kiadott, a Római Iskoláról szóló monográfiájára kénytelen támaszkodni.) Az elmúlt évtized szlovákiai kiállításai nyomán vált egyértelművé, hogy a két világháború közötti Kassán – ahonnan Kontuly származott – különleges művészeti teljesítmények születtek. A frissen alakult csehszlovák állam soknemzetiségű keleti nagyvárosában különböző származású modern művészek gyűltek össze, a cseh Frantisek Foltyntól kezdve az itt született Kontulyon át az emigránsként odavetődő Bortnyik Sándorig. A „kassai modernek” szlovákiai kutatásának radarján szerepelnek a Magyarországon hazai művészekként számon tartott alkotók is. Így került be a még mindig felfedezés alatt álló Kontuly a 2013-as szlovák kötetbe (Kosice modernism. Kosice Art in the Nineteen-Twenties) és a csehszlovák realista tendenciákat feldolgozó, példamutató New Realisms című friss tanulmánykötetbe is. Most felbukkant arcképe gazdag pályafutásának első korszakát reprezentáló kivételes alkotás.

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