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  • Czauczik, József (Czausig József, Zausig, Jos
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  • Still-Life of Flowers in the Glass, 1800

Czauczik, József (Czausig József, Zausig, Jos (1781 - 1857)

Still-Life of Flowers in the Glass, 1800

 Czauczik, József (Czausig József, Zausig, Jos - Still-Life of Flowers in the Glass, 1800 | 76th auction auction / 87 Lot
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38 x 28 cm
Oil on canvas
On the reverse: pinx. Czanczik 1800, Reverse: Biedermeier exhibition label (1937)

76th auction / 87. Lot (2024-12-10)
Starting price: 1 600 000 Ft / 4 404 EUR
Estimation: 2 600 000 Ft- 4 800 000 Ft
/ 7 157 EUR - 13 213 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

  • Conditions of sale

Exhibited: Műcsarnok Biedermeier kiállítás 1937. (262. tétel)

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Study

Irodalom

F.J.: Zausig József. Művészet, 1909/4., 268.

Szvoboda Dománszky Gabriella: A magyar biedermeier. Corvina, Budapest, 2011.

 

„Idvez légy szép rózsa szál / Tegnap még bimbó valál, / Im ki vagy fakadva már. / Már köszönt a’ Zéfir is” – írta Csokonai Vitéz Mihály 1797-es versében. Három évvel később hasonlóan emelkedett klasszicista hangulatban a fiatal Czauczik József megfestette a maga válaszát csendélet formájában Lőcsén. A dús szirmú fehér és rózsaszín rózsákhoz egy szál lila akácot társított, majd a virágcsokrot egy pohár vízben az asztal közepére állította. A részletek – a modellált virágok, a hűvösen csillanó üvegpohár vagy a nagyítóként viselkedő vízcseppek – ritka kvalitásról árulkodnak. A klasszicista kis remek alkotójának, a Felvidéken dolgozó Czauczik Józsefnek a neve Trianon után kikopott a magyar művészettörténet-írásból. Pedig abban az időszakban tevékenykedett, a 19. század első felében, amikor a pest-budai festővilág még alig éledezett, és a magyar kultúrát a klasszicista szépírók képviselték.

A lőcsei születésű Czauczik (nevét írják sokféleképpen, Csausziktól Zausigig) 1806–1810 között tanult a bécsi akadémián, majd szülővárosában telepedett le, és ott is dolgozott haláláig. A korban komoly gazdasági erőt képviselő felvidéki város polgársága látta el megrendelésekkel az oltárképektől a tájpanorámákon át a portrékig. Bár több elegáns klasszicista arcképét őrzi a Magyar Nemzeti Galéria (egy mitológiai kompozíció mellett), műveinek többsége ma már szlovákiai múzeumokban található. Művészetét elsősorban a finom hangú, az előkelőknek szóló, magasröptű klasszicizmus megédesített és polgárosított változatához, a biedermeierhez sorolják. Szvoboda Dománszky Gabriella a stíluskorszakot feldolgozó könyvében „országosan kiváló mesterként” említi, de a most elemzett, finom eleganciájú csendélete sem véletlenül szerepelt a biedermeier nagy történeti kiállításán a Műcsarnokban 1937-ben. Az üvegben álló pár szál virág a csendéletfestészet minimalista egyszerűséget megkívánó műfaja. Ennek a fókuszált érzékenységet igénylő motívumnak jó pár nagy nemzetközi mestere volt (például Czauczik francia kortársa, Anne Vallayer-Coster), de a magyar festészet történetében is megtaláljuk követőit Vaszary János villanásától (Ciklámenek pohárban, 1930-as évek, magántulajdon) kezdve Koszta Józsefig (Virágok pohárban, 1910-es évek, magántulajdon) és Nagy Balogh Jánosig (Virágok pohárban, 1910-es évek, magántulajdon).

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