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  • Méhes, Lóránt (Zuzu)
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  • Stars and Bubbles (Zuzu+Marietta, 1975), 2004

Méhes, Lóránt (Zuzu) (1951 - )

Stars and Bubbles (Zuzu+Marietta, 1975), 2004

 Méhes, Lóránt (Zuzu) - Stars and Bubbles (Zuzu+Marietta, 1975), 2004 | 76th auction auction / 230 Lot
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160 x 195 cm
Oil on canvas
On the reverse: Méhes Lóránt 2004, 195 x 160

76th auction / 230. Lot (2024-12-10)
Starting price: 7 500 000 Ft / 20 439 EUR
Estimation: 9 000 000 Ft- 12 000 000 Ft
/ 24 527 EUR - 32 702 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

  • Conditions of sale

Exhibited: Méhes Lóránt retrospektív kiállítása, Ernst Múzeum, 2007.

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Study

Méhes Lóránt a magyar hiperrealizmus kulcsfigurája és az 1970–80-as évekbeli pesti underground egyik fontos szereplője. Ahogy művészetének legjobb ismerője, kutatója, Forián Szabó Noémi írta 2007-es életmű-kiállítása kapcsán: „Méhes Lórántnak a 70-es évek elején festett fotórealista portréi pontosságuk, festői kvalitásuk és lírai kifejező erejük folytán azonnali elismerést vívtak ki maguknak, és máig legendásak. Festőként feleségével, az énekesnő és színésznő Méhes Mariettával együtt a budapesti underground művészet 70-es évekbeli eseményeinek (pl. Kex-koncertek, Rózsa presszó akciók, FMK-kiállítások, Bódy Gábor filmjei) állandó résztvevője volt.” Méhes Lóránt – vagyis Zuzu – pályafutása a hivatalos művészetpolitika által idegenkedve figyelt fotórealizmussal kezdődött a hetvenes években. Majd összeállt a pesti underground másik szereplőjével, Vető Jánossal, és közösen kezdtek el dolgozni Zuzu-Vető néven. A páros munkájából sziporkázóan színes vizuális párbeszéd kerekedett, graffitis vadsággal, neoprimitív játékossággal és new wave érzékenységgel. A színpompás neobarbár időszak után, a nyolcvanas évek közepén Méhes az alternatív partivilágból átlépett a metafizika negédes és magányos birodalmába. Majd az ezredfordulón következett az újabb váltás, elővette régi fényképeit és azokat nagyította fel vásznaira. Saját maga krónikásává vált, színre víve saját múltjának fotográfiáit.

A most vizsgált nagy méretű festményen meleg narancsszín fények között a fiatalkori házibulik kései óráinak hangulata elevenedik meg. A kanapén Vető szívja cigarettáját, mellette pedig a következő évtized undergroundjának első számú énekesnőjévé és szexszimbólumává váló Marietta, Méhes egykori felesége ül meztelenül, még sötét hajjal. A selymes realista ecsettel festett jelenetet már a kiégett filmeket idéző narancs-fekete tónus is meséssé változtatja, de a sötéten átragyogó csillagok és a szálldogáló buborékok végképp álomképpé írják át az emlékképeket. Nagyszabású, nosztalgikus megidézése az egykor volt pesti underground privát közegének. Ami bármilyen szép volt, úgy tűnt el, mint egy szappanbuborék. Emlékké vált, ahogy Marietta énekelte különös hangján a Trabant együttes koncertjein: „Azt hiszem, hogy becsukom a boltot / elfogyott már minden, ami jó. / Látom a gyufa végig ég, ez is egy emlék.”

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