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  • Resting Young Girl in Nature, 1920

Csók, István (1865 - 1961)

Resting Young Girl in Nature, 1920

 Csók, István - Resting Young Girl in Nature, 1920 | 78. autumn auction auction / 166 Lot
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31 x 40 cm
Oil on board
Signed lower left: Csók I.

Provenance: Earlier in the collection of Gyula Singer Dr.

78. autumn auction / 166. Lot (2025-10-13)
Starting price: 2 600 000 Ft / 7 321 EUR
Estimation: 3 200 000 Ft- 4 400 000 Ft
/ 9 011 EUR - 12 389 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

78. autumn auction

Date:

2025. October 13. 18:00 - 23:00

  • Conditions of sale

Exhibited:

Csók István jubileumi kiállítása, Műcsarnok, Budapest, 1955.,

Csók István emlékkiállítás, Déri Múzeum, Debrecen, 1963.,

Csók István emlékkiállítása, Magyar Nemzeti Galéria, Budapest, 1965 (kat. 118.).

Reproduced: Csók István: Emlékezéseim. Officina, Budapest, 1945, 174.

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  • We provide certificate work of origin for every purchased work of art
    We provide certificate work of origin for every purchased work of art

  • Personal viewing in the gallery
    After making an appointment in the Kieselbach Gallery in Budapest

  • Free painting valuation
    Free painting valuation

Study

Irodalom

Lázár Béla: Csók István. Ernst Múzeum, Budapest, 1921.

Csók István jubileumi kiállítása. Műcsarnok, Budapest, 1955.

Farkas Zoltán: Csók István. Képzőművészeti Alap, Budapest, 1957.

Csók István emlékkiállítása, Magyar Nemzeti Galéria, Budapest, 1965.

Bálványok és démonok. Csók István (1865–1961) festészete. Szerk.: Gärtner Petra – Király Erzsébet, Szent István Király Múzeum, Székesfehérvár, 2013.

 

Az impresszionista ösztönű Csók István vérbő, napsütötte, érzéki festménytémává alakította át a bibliai gyökerű történetet. Erről a Renoir-t idéző esztétikáról írta monográfusa, Lázár Béla: „Az út pora, a fák közt bujkáló napsugár, a táncoló cigányok gomolyaga, a gellérthegyi boszorkányok dévaj zajgása, a fa alatt heverésző Juda gyöngyházaktja, minden-minden a színek játéka nála, csupa mozgás, hullámzás, színremegés, emlékeztet a rokokó piktúra színes árnyékokkal gazdagon telehintett akkordjaira, melyeknek kései visszhangja Renoir korai színskálája, akinek bántó irizálását Csók szerencsésen elkerüli, sőt temperamentuma, mely művészetét alakította, szeme, mely azt megálmodta, a belőle sugárzó lélek, melyben fogant, a kéz, mely a formálást vezette, ízlése, mely a harmóniát megteremtette, annyira egy azzal a pusztaegeresi molnárfiúval, ki egykoron a malom zúgása mellett álmodozott, annyira tiszta koloristikus értékeket adó, mint maga a magyar népművészet, annyira a keleti ember ősi látásának inkarnációja, hogy elmondhatjuk: ez az ő művészete a magyar művészet egyik nemes megnyilatkozása.” A festmény jól ismert darabja Csók életművének. A sokáig dr. Singer Gyula tulajdonában őrzött impresszionisztikus alkotás jó pár Csók-kiállításon szerepelt, de a mester beválogatta emlékírásának kevés reprodukciója közé is.

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