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  • Red- Haired Female Nude, 1920s

Sassy, Attila (1880 - 1967)

Red- Haired Female Nude, 1920s

Sassy, Attila - Red- Haired Female Nude, 1920s | 75th Autumn auction auction / 24 Lot
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102 x 56 cm
Mixed technique on paper
Signed upper right: Aiglon

75th Autumn auction / 24. Lot (2024-10-11)
Starting price: 3 400 000 Ft / 9 298 EUR
Estimation: 4 600 000 Ft- 6 500 000 Ft
/ 12 580 EUR - 17 776 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

  • Conditions of sale

Reproduced: Gellér Katalin: Sassy Attila. Ópiumálmok. Kieselbach Galéria, Budapest, 2014, 72.

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Study

Irodalom

Vaszary János: Párizsi napok. Magyar Művészet, 1925, 152–156.

Gellér Katalin: Sassy Attila. Ópiumálmok. Kieselbach Galéria, Budapest, 2014.

 

A kacéran a nézőre tekintő, art decós hangoltságú női akt felett, a kép felső sarkában olvasható az alkotó neve: Aiglon. A 20. század eleji képzőművészetben jártasak pontosan tudják, hogy ez a művésznév Sassy Attilát fedi. Sassy Miskolcon született a polgármester-helyettes fiaként, tanulmányait Nagybányán, Münchenben és Párizsban végezte a 20. század első évtizedében. Vidám tagja volt a párizsi magyar művészvilág bohém társaságának. Ifjúságának fő ihlető forrása és múzsája a Nyugat körének ismert írója, Kaffka Margit volt, akinek első verseskötetét, az 1906-ban megjelent Kaffka Margit könyve című munkáját ő illusztrálta. A századforduló merengő hangulatában fogant versekhez tökéletesen illeszkedtek Sassynak a szecessziós vonalakat dekoratív árnyékokká növesztő, nádtollal rajzolt fantasztikus képei. Az illusztrációk hatására Sassy rövid időn belül népszerű grafikussá vált, Walter Crane és Aubrey Beardsley legközelebbi magyar rokonává.

1909-ben megjelent, Ópium-álmok című rajzalbumának japonizáló-egyiptomizáló stílusa, örvénylő vonalornamentikája és delejezően erotikus fantáziája a legjobb hazai szecessziós grafikussá avatta. Sassy az 1910-es években rendszeresen szerepelt festményeivel a budapesti modern képzőművészeti kiállításokon. Archaizáló, mitológiai képeinek rajzkultúráján továbbra is megőrződött a századforduló hatása. Különleges hangulatú, erotikus jellegű női aktjai újra találkoztak az art decós korszellemmel a húszas években. Számos pályatársához hasonlóan 1920 körül a geometrikus megformáltság és a kompozíciós rend felé fordult. Ekkor alakult Párizsban az az új művészeti korstílus, amelyet – Le Corbusier-nek a 1925-ös világkiállításról írt kritikája nyomán – ma már art decónak nevezünk. Ez a jazz, a modern hedonizmus, a rövid, fiús hajak és a luxustermékek izgalmas birodalma, amelyben az élet örömeire fogékony Sassy is boldogan alámerült. Bár a kortársak nem használták ezt a szakkifejezést, ma már tudjuk, hogy a most vizsgált női aktja a magyar art deco világához tartozik.

 

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