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  • Edward Buk Ulreich
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  • Promenade, c. 1930

Edward Buk Ulreich (1884 - 1966)

Promenade, c. 1930

 Edward Buk Ulreich - Promenade, c. 1930 | 76th auction auction / 165 Lot
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104 x 145 cm
Oil on canvas
Signed lower right: BUK, On the reverse: Promenade, Eduard Buk Ulreich, 240 East79th St New York City, Eduard Buk Ulreich 145 E 40 N.Y.C.,továbbá a pittsburghi Carnegie Institute és a Los Angeles-iPapillon Gallery exhibition label

76th auction / 165. Lot (2024-12-10)
Starting price: 6 500 000 Ft / 16 132 EUR
Estimation: 8 500 000 Ft- 13 000 000 Ft
/ 21 096 EUR - 32 264 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

  • Conditions of sale

Exhibited: 30th Annual International Exhibition of Paintings, Carnegie Institute, Pittsburgh, 1931.

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Study

Öt éteri szépségű, klasszikus női akt áll körbe egy fehér ruhás női figurát. A frízszerűen sorakozó alakokat monumentális méretűvé növeli az alacsony horizont és a háttérben kitáruló széles, folyókkal és hegyekkel szaggatott panoráma. Mintha az amerikai–magyar Edward Buk Ulreich a nimfáival fürdőző Diana tradicionális múzeumi témáját fogalmazta volna újra a két világháború közötti art deco és a neoklasszicista falképek modorában. A rajzos kontúrok, a szobrászian formált aktok és a fátyolos-opálos színvilág a reneszánsz itáliai freskók stílusát idézi, de a virágszirmokként repkedő lilás-kékes ecsetvonások már a modern festészet hatásáról árulkodnak. Alkotóját alig ismeri a hazai művészettörténet-írás, pedig Edward (Eduard) Buk Ulreich Kőszegen született a 19. század végén, 1884-ben. Még kisgyerekkorában vándorolt ki a családja Kansasba, eltűnve a magyar kutatás radarjáról. A „Buk” művésznéven emlegetett fiatal alkotó tanulmányait a Kansas City Art Institute magániskolájában kezdte, majd a pennsylvaniai művészeti főiskolán folytatta. Volt cowboy az arizonai apacs indiánok között, szolgált katonaként az első világháborúban és megfordult Párizsban is, mielőtt ismert New York-i képzőművésszé vált volna az 1920–30-as években. Dekoratív, áramvonalas rajzkultúrájú, art deco hatást mutató képein gyakran ábrázolt indiánokat, cowboyokat és jeleneteket az amerikai történelemből. Grafikai munkái rangos magazinokban jelentek meg (például az 1923-as Vogue címlapján), monumentális falképei pedig közintézmények falára kerültek, de őriz tőle művet a londoni Tate Modern is. Nyerítő lovát megfékező, 1932-es cowboyos vadnyugati falképe a Rockefeller Center zenecsarnokának társalgóját díszíti. Márványmozaikokkal szerepelt az 1933-as chicagói világkiállításon, majd részt vett a gazdasági világválság után útjára indított, a New Deal részét képező nagyszabású országos képzőművészeti program, a Works Progress Administration tevékenységében. Ennek keretében nyolc falképen illusztrálta Florida történetét a tallahassee-i bíróság épületében a harmincas években. A kőszegi születésű, de itthon egyáltalán nem ismert magyar–amerikai művész San Franciscóban hunyt el 1966-ban.

A most vizsgált kép – a hátoldalon megőrzött címkék tanúsága szerint – szerepelt a pittsburghi Carnegie Institute egyik kiállításán. Minden bizonnyal ez az a nagyszabású éves seregszemle volt 1931-ben, ahol a pennsylvaniai intézmény a világ legjobb korabeli festőit mutatta be, többek között Max Beckmann, Carlo Carrà, Giorgio de Chirico, Edward Hopper, Tamara de Lempicka, Pablo Picasso, valamint Aba-Novák Vilmos és Szőnyi István képeit. A most felbukkant, 1930 körül készült monumentális festmény Buk első bemutatkozása a magyar színtéren.

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    A Megtalált képek nem csupán egy újabb kötet a magyar festészetről. Bár festmények és róluk szóló elemzések találhatók benne, mégis sokkal több, mint egyszerű művészettörténet: megdöbbentően...
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