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  • Poppy Field (Storm is Coming), 1920s

Koszta, József (1861 - 1949)

Poppy Field (Storm is Coming), 1920s

 Koszta, József - Poppy Field (Storm is Coming), 1920s | 58th Spring Auction auction / 33 Lot
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44x53 cm
oil, canvas on cardboard
signed lower right: Koszta

IRODALOM | bibliography
- Szinyei Merse Anna: Koszta József 1861–1949.
Élete és művészete a dokumentumok tükrében.
Kogart, Budapest, 2014.
- Egri Mária: Koszta József. Corvina, Budapest, 1989.
- Bényi László: Koszta József 1861–1949. Szentes, 1976.

58th Spring Auction / 33. Lot (2018-05-13)
Starting price: 5 000 000 Ft / 13 908 EUR
Estimation: 7 000 000 Ft- 12 000 000 Ft
/ 19 471 EUR - 33 379 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

58th Spring Auction

Date:

2018. May 13. 18:00 - 21:00

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Study

Hétköznapi mákony

A domboldalt zöldellő vetés borítja, a rögökön hirtelenpiros pipacsok virítanak. A viharos sötétkékbe borult égbolt szél kergette felhői alatt aprócska parasztház teteje kandikál ki. Míg L. Frank Baum Óz, a csodák csodája című meséjében a pipacsos mező a mákonyos bódulat álomszerű birodalmába vezetett, Koszta számára a hétköznapi magyar tájat képviselte. „Hallom néha – idézte Koszta kritikusait rosszallóan –, hogy transzponálom képeimen a színeket. Csodálkozom rajta, ha azt mondják, hogy nem olyan a kép, mint ahogy a természetben van. Pedig én csak azt csinálom, ami ott van! Persze nem szoktam nézni a részleteket, hanem az egészet. Nem egy színt, egy tónust külön, hanem együtt a mellette lévővel. Így aztán az ég néha azért sötétebb, hogy a fehér fal, amelyre rásüt a nap, 'kibiceljen'.”

A zsíros anyaföld

Koszta József a tiszazugi tanyavilág remetéjeként nem kereste a nagyvárosok delíriumát és bajhozó mákonyát, hanem visszatért a puszta őszinte rögvalóságához. Hiszen csak ott tudta megteremteni az „igaz magyar piktúrát”. A „magyar piktúrán” a kor nyelve az ízes, „zsíros”, pasztózus, nagyformátumú, a magyar termőföld és a paraszti kultúra televényéből kisarjadó unikális festészetet értette, amit az olyan, rokonítható szellemiségű alkotók is képviseltek, mint Nagy István vagy Rudnay Gyula. „A piktor, aki nem a természetben, mélyen a földben gyökerezik, az nem az igazi. A kiagyalt kép sosem lehet jó, technikailag tán érdekes, de nincsen igazi súlya” – vallotta Koszta.

Szinyei mellett

A századelő értette szellemi törekvéseit és értékelte kivételes koloritját. A modern színkezelés ünnepelt nagymestere, Szinyei Merse Pál például mindvégig fenntartott maga mellett egy helyet a ritkán felbukkanó „vidéki” kolléga számára a Japán kávéház művészasztalánál. Nemhiába írta a most vizsgált kép egyik, kevésbé drámai variációjáról monográfusa, Szinyei Merse Anna a Kogart által kiadott katalógusban: „Távoli előzményként feldereng a szemlélőben Szinyei Merse Pál 1902-es Pipacs a mezőn című festménye, annak lágyabban kontrasztos színharmóniái azonban Kosztánál valahogy »ropogósabbá«, ugyanakkor síkszerűen dekoratívabbá válnak.” A monográfiákból és tárlatokból jól ismert Pipacsos mező most párdarabjára lelt, a tavalyi nagy Koszta-kiállítások hullámán magántulajdonból előkerült a téma most vizsgált, felfedezésszámba menő, eddig ismeretlen feldolgozása. Ez az eddig lappangó variáció ugyanazt a motívumot, ugyanazt a kivágást jeleníti meg, de a kosztai festészet legmélyéről feltörő szenvedéllyel, a közelítő vihar drámai, kontrasztos elevenségével.

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    (1861 - 1949)

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    Szabó, Vladimir

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    tempera, canvas

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    425 000 Ft

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