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  • Park Detail, 1913

Erős, Andor (1889 - 1917)

Park Detail, 1913

 Erős, Andor - Park Detail, 1913 | 77th Spring Auction auction / 55 Lot
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56 x 70 cm
Oil on canvas
Signed lower right: Erős A. 913, On the reverse: label fragment

77th Spring Auction / 55. Lot (2025-05-28)
Starting price: 7 500 000 Ft / 20 439 EUR
Estimation: 9 000 000 Ft- 16 000 000 Ft
/ 24 527 EUR - 43 603 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

77th Spring Auction

Date:

2025. May 28. 18:00 - 23:00

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Study

Irodalom

Uitz Béla: Három miniesszé. A Tett, 1916/6. (Ezredvég, 2011/3., 73–74.).

Nagybánya. A nagybányai festészet a neósok fellépésétől 1944-ig. Szerk.: Jurecskó László – Kishonthy Zsolt, MissionArt Galéria, Miskolc, 1992.

Cézanne-i foltépítéssel felrakott pázsit, zölddel átitatott franciás erővonalak. Mintha a fiatal művész a Párizsból hazatért Kmetty János mellett támasztotta volna le festőállványát a Városliget sétaútjai között. De míg Kmetty kubizáló stílusával felírta magát a magyar művészettörténet lapjaira, Erős Andor szűkre szabott életművét csak most kezdjük megismerni. Lassan kirajzolódó oeuvre-je meglepően erős művekből áll. Egy évvel a most vizsgált kép születése után Ferenc József mindent meggondolt, mindent megfontolt és háborúba lépett, ezzel a lehulló őszi falevelek sorsára juttatta a fiatal tehetséget. Erős bevonult, a fronton megsérült, és kórházban halt meg a Felvidéken 1914-ben. Festészetének stílusvilágát pályatársa, Uitz Béla jellemezte így búcsúesszéjében A Tett hasábjain: „Nem volt szimbolikus festő, de nagyon tudatos konstruáló s (bár ha szellemben ellene volt s nagy részben csak intimebb baráti köre váltotta ki belőle) munkáiban nagyon sok volt az expresszionisztikus és kubisztikus érték.” Uitz azt is elárulta, hogy Erős Ferenczy tanítványként Cézanne-t bálványozta. Fekete-fehér könyvtári reprodukciókról próbált nyomába eredni az aixi mester formaépítő tökélyének. Közben megfordult a modern magyar festészet két bölcsőjében, Nagybányán és Kecskeméten. Perlrott Csaba Vilmossal, Bornemisza Gézával és Kmetty Jánossal tartott lépést stílusban. Ahogy Sümegi György írta a neós katalógusban: „A fauve-os jellegzetességeket […] esetenként ugyanúgy föllelhetjük munkáikon, mint a kubizmusét, a formaanalízis szándékát.” Most felbukkant alkotása ezekről a franciás ihletekről ad számot, jelezve, hogy Erős korai halála mekkora vesztesége a magyar művészet történetének.

 

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