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  • Paris's Judgement (Hommage á Cézanne), 1929

Mattyasovszky-Zsolnay, László (1885 - 1935)

Paris's Judgement (Hommage á Cézanne), 1929

Mattyasovszky-Zsolnay, László - Paris's Judgement (Hommage á Cézanne), 1929 | 64st Autumn Auction auction / 112 Lot
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46,5x60 cm
Oil on canvas
Signed lower right: Mattyasovszky

Provenance: Once in the collection of István Tószeghy

64st Autumn Auction / 112. Lot (2020-09-18)
Starting price: 1 200 000 Ft / 3 270 EUR
Estimation: 1 600 000 Ft- 2 800 000 Ft
/ 4 360 EUR - 7 630 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

64st Autumn Auction

Date:

2020. September 18. 18:00 - 22:00

  • Conditions of sale

Reproduced: Petrovics Elek: Mattyasovszky-Zsolnay László (1885-1935). Budapest, 1936. nbr. 48.

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Study

Kevés magyar festő volt olyan szerencsés a 20. század elején, hogy a jól működő, pécsi majolika- és kerámiagyár kebelén nőjön fel. Zsolnay-Mattyasovszky László egyike annak a néhány magyar festőnek, akinek ez megadatott, hiszen gyerekkora összeforrt a családi Zsolnay gyárral.  A kerámiafestő üzem után müncheni magániskolában tanult, ahol nem a 19. századi akadémizmusért rajongtak már ekkor, hanem Goyáért, Manet-ért vagy épp Velázquezért. Az önmagával viaskodva alkotó Zsolnay-Mattyasovszky 1912-ben jutott el álmai városába, Párizsba, ahol valósággal megrészegítette a francia művészet vérbő festőisége, impresszionistákon edződött színkultúrája és páratlanul modern eleganciája.  „Mikor a Louvre-ból kijön, sírva fakad az izgalomtól. […] Már az első napokban látja a Pellerin-gyűjtemény híres Cézanne-jait és Durand-Ruel lakásán a nagy impresszionisták képeit.”

Mattyasovszky munkáit jellemzi, hogy törekszik, hogy benyomásai elkalandozás nélkül kerüljenek vásznaira. Ahogy Petrovics Elek írta az ötvenévesen elhunyt festő emlékkiállításának katalógusában: „Nagy kultúrájú, előkelő művész volt Mattyasovszky. A nyugodt és szép felülfestés manet-i hagyományainak tisztelője, de a kontúrok feltűnőbb éreztetésében, a folthatás dekoratív voltában és a környezetnek sokszor ornamentális ízű alakításában az impresszionistákra következő (u. n. posztimpresszionista) nemzedék szelleméből is érzünk valamit képeiben.”

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