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  • On the Bank of the Stream in Nagybánya (Gooseherd), 1912

Lehel, Mária (1889 - 1973)

On the Bank of the Stream in Nagybánya (Gooseherd), 1912

Lehel, Mária - On the Bank of the Stream in Nagybánya (Gooseherd), 1912 | 80th Spring Auction auction / 250 Lot
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35 x 34 cm
Oil on cardboard
Signed lower right: Lehel 912 NB

80th Spring Auction / 250. Lot (2026-05-18)
Starting price: 2 200 000 Ft / 6 056 EUR
Estimation: 2 500 000 Ft- 3 500 000 Ft
/ 6 882 EUR - 9 634 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

80th Spring Auction

Date:

2026. May 18. 18:00 - 23:00

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    We provide certificate work of origin for every purchased work of art

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Study

Irodalom

A Nyolcak. Szerk.: Markója Csilla – Bardoly István, Janus Pannonius Múzeum Modern Magyar Képtár, Pécs, 2010.

 

Szőnyegszerűen lüktető zöld levélözön. Senki sem látta ennyire a Nyolcak esztétikai lencséjén át a nagybányai patakban libát kergető fiúcskát, mint Lehel Mária. A fiatal festőnő a legjobb pesti avantgárd körökben mozgott. Férjével, a Nyolcakat modern művészeti újságíróként is támogató Lehel Ferenccel (őt Czóbel Béla híres nagybányai képéről ismeri a művészettörténet) rendszeresen megfordult Kernstok Károly legendás nyergesújfalui birtokán is. A Nyolcak vezéralakjának tartott szuggesztív festő rövid ideig korrigálta is műveit. Minden bizonnyal Kernstok szeme akadt meg a kivételesen tehetséges ifjú festőnő munkáin és eredeti kifejezésmódján, talán ő invitálta meg a Nyolcak második, nagy hatású csoportos kiállításra 1911-ben. Lehel Máriát csak azért nem tartjuk számon az első magyar női alkotók között, mert családjával 1924-ben Párizsba költözött, ahol az École de Paris és az art deco esztétikája kerítette hatalmába, majd évtizedekig Olaszországban élt. Nemzetközi szemmel nézve egy olyan külföldi művész, aki ugyanúgy rendelkezett – vélt vagy valós – magyar ősökkel és kapcsolódási pontokkal, mint Georgia O’Keeffe, Frida Kahlo, Tamara de Łempicka vagy Amrita Sher-Gil. A Lehel művészetét jellemző neoprimitivista hang egészen ritka a korai magyar modernizmus történetében. Ezt az avantgárd nyersességet itt már-már a dallamosságig stilizált eleganciával, a Nyolcak szálkásan rajzos aktjaival és a kicsattanóan eleven nagybányai zölddel társította.

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