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  • Suzanne, Metzinger Phocas
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  • Moulin Rouge

Suzanne, Metzinger Phocas (1897 - 1984)

Moulin Rouge

 Suzanne, Metzinger Phocas - Moulin Rouge | 77th Spring Auction auction / 59 Lot
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100 x 72,8 cm
Oil on canvas
Signed lower left: S. Phocas, On the reverse: Exhibition label of Cubistes et Neo-Cubistes (Salon des Indépendants)

Provenance: Earlier in a French private collection

77th Spring Auction / 59. Lot (2025-05-28)
Starting price: 2 200 000 Ft / 5 995 EUR
Estimation: 3 000 000 Ft- 6 000 000 Ft
/ 8 176 EUR - 16 351 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

77th Spring Auction

Date:

2025. May 28. 18:00 - 23:00

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  • Biggest Hungarian painting collection
    More than 100.000 Hungarian works of art

  • We provide certificate work of origin for every purchased work of art
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Study

Vörös kosztümbe öltözött táncosnő a legendás párizsi mulató, a Moulin Rouge színpadán. A környezetet tört geometrikus idomokra szaggatja a kubizmus szenvedélyesen modern világlátása. A színeket a Mondrian- vagy Léger-féle paletta határozza meg, a sárga, a kék és a vörös, némi fehérrel és feketével (meg a belőlük kikevert szürkékkel) párosítva. A zene nem olyan játékos dzsessz, mint amilyen Scheiber Hugó dizőzeit ritmizálta, hanem az a szertelenül új típusú kakofónia, amelyik a dadaista varieték előadásain pukkasztotta a polgárokat. Vagy épp a Függetlenek Szalonjának (Salon des indépendants) tárlatain, ahol a most vizsgált kép is megfordult, és ahol elsőként indultak csoportos hódító útjukra a kubisták, Jean Metzinger, Albert Gleizes és barátaik. Hamisítatlan párizsi levegő. Ilyesfélét a magyar művészek csak áttételesen módon, gyengített erővel képviseltek Budapesten. A Montparnasse-on a két világháború között viszont ezt a ritmust járták a mulatókban és a festők műtermeiben is. Ezt követte ecsetjével a festmény alkotója, Suzanne Phocas (1897, Lille – 1984, Le Kremlin-Bicêtre), akit a művészettörténet elsősorban Jean Metzinger feleségeként (és özvegyeként) ismer. Metzinger a kubizmus lánglelkű propagátora volt, aki Picassóék nyomában járva kürtölte világgá a tördelt síkok forradalmi szépségét. „Semmi értelme lefesteni valamit, amit le is lehet írni” – tanította a kubizmus újszerű világlátásáról. Metzinger 1923 körül találkozott a tehetséges festőnővel, Suzanne Phocas-val Párizsban. Talán már ekkor romantikus szálak szövődtek közöttük, Frida Kahlo-i szépségű új múzsáját neoklasszicista portrén is megörökítette. Pár évvel később egybe is keltek. Ettől kezdve kölcsönösen inspirálták egymást, de ahogy a művészettörténetben lenni szokott, a feleséget sokáig – méltatlan módon – hátrébb sorolta a kutatás.

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