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  • Mood (Ambiance), 1964–1965

Fiedler, Ferenc (1921 - 2001)

Mood (Ambiance), 1964–1965

Fiedler, Ferenc - Mood (Ambiance), 1964–1965 | 80th Spring Auction auction / 218 Lot
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195 x 115 cm
Oil on canvas
Signed on the reverse: Fiedler

80th Spring Auction / 218. Lot (2026-05-18)
Starting price: 6 500 000 Ft / 17 769 EUR
Estimation: 8 000 000 Ft- 14 000 000 Ft
/ 21 870 EUR - 38 272 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

80th Spring Auction

Date:

2026. May 18. 18:00 - 23:00

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  • We provide certificate work of origin for every purchased work of art
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Study

Irodalom

Francois Fiedler. Szerk.: Makláry Kálmán, Makláry Artworks, Budapest, 2014.

 

Fiedler Ferenc a második világháború utáni párizsi magyarok emigráns művészeti közösségének volt oszlopos tagja, olyan – szintén a franciás absztrakciót képviselő – festőkkel együtt, mint a világhírűvé vált Reigl Judit vagy a Gagosian megagaléria által képviselt Hantai Simon. A kassai születésű Fiedler a második világháború alatt kezdte művészeti tanulmányait a Képzőművészeti Főiskolán. Sikeres fiatal tehetségként 1948-ban kijutott a Római Magyar Akadémiára, majd ösztöndíjjal továbbutazott Párizsba. A kommunista hatalomátvétel után megvonták a támogatását, így döntéshelyzetbe kényszerült: hazatér vagy emigrál. Művészbarátaihoz hasonlóan Párizst választotta. A háború utáni francia absztrakció (és az ősi barlangrajzok) hatása alatt forrt ki korai festészete. Hartung, Dubuffet és Riopelle nonfigurativitásával rokonítható gesztusait monográfusa, Berecz Ágnes így jellemezte: „Nyers és megkínzott felülete az egymással versengő színfoltok és csorgások, illetve az egymást követően felhordott vagy visszakapart festékrétegek küzdőtere. A festmény saját keletkezésének dokumentumaként feltérképezi a festői folyamatot, s anyaggal és testtel végzett gyakorlatként mutatja fel azt.”

A magyar művészt a szürrealizmus katalán nagymestere, Miró mutatta be a francia modernisták sztárgalériásának, Aimé Maeght-nek, aki képviselte galériájában. Műve is bekerült a La Fondation Maeght grandiózus magánmúzeumába, a modernizmusnak a Riviérán álló szentélyébe, Miró, Calder, Giacometti, Christo, Ellsworth Kelly, Joan Mitchell és Antoni Tàpies alkotásai mellé. A most vizsgált, hatvanas évekbeli művén is a franciás informel hatása érezhető: a hullámzás gesztusrendszerére írt, monumentális hatású absztrakció. Az a típusú festészet, amely a szocializmus tiltása miatt fájón hiányzik a magyar művészet történetéből. Az Ambiance, azaz Hangulat című képet a művész kiválasztotta és megtartotta magának, így kerülhetett a család tulajdonába, majd onnan most az árverési anyagba.

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    Schadl, János

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    A Kieselbach Galéria a párizsi absztrakció itthon alig ismert sztárjának, Fiedler Ferencnek (François Fiedler) eddig...
    Fiedler Ferenc (François Fiedler) – Elemek ereje (föld, víz, szél)
    A Kieselbach Galéria a párizsi absztrakció itthon alig ismert sztárjának, Fiedler Ferencnek (François Fiedler) eddig Magyarországon be nem mutatott korai műveit állítja ki. Nagy méretű, elemi...
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