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  • Miracles of Nature

Qi Baishi (1864 - 1957)

Miracles of Nature

 Qi Baishi - Miracles of Nature | 72nd Autumn auction auction / 232 Lot
  • We provide certificate work of origin for every purchased work of art
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56x18 (tekercs méret: 172x33,5 cm) cm
Indian ink on paper
Signed lower left: with artiststamp

Provenance: The owner bought the picture in Beijing between 1964-1966

72nd Autumn auction / 232. Lot (2023-10-10)
Starting price: 7 500 000 Ft / 20 439 EUR
Estimation: 8 500 000 Ft- 12 000 000 Ft
/ 23 164 EUR - 32 702 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

72nd Autumn auction

Date:

2023. October 10. 18:00 - 23:00

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  • Biggest Hungarian painting collection
    More than 100.000 Hungarian works of art

  • We provide certificate work of origin for every purchased work of art
    We provide certificate work of origin for every purchased work of art

  • Personal viewing in the gallery
    After making an appointment in the Kieselbach Gallery in Budapest

  • Free painting valuation
    Free painting valuation

Study

irodalom

Szentandrási-Sós Zsuzsanna: Drawn in China. Artkartell.hu (2015, június 9.)

 

 

Qi Baishi (magyar átírással: Csi Paj-si) a 20. századi kínai festészet legnagyobb sztárja. A világ egyik legdrágább művészeként már Európa is megtanulta a nevét. Festménytekercsei a 2010-es évektől a nemzetközi műtárgypiacon Andy Warhol és Pablo Picasso műveivel versenyeznek. A kínai festő műveivel a Magyar Nemzeti Galéria 2015-ös, A természet igézete című nagy kiállításon a hazai közönség is megismerkedhetett. Dr. Fajcsák Györgyi sinológus, a kiállítás kurátora mondta egy interjúban Qi Baishi művészetének jellemzőiről: „A kínai hagyományos festészetre jellemző aprólékos kontúrozás helyett rendkívül merész ecsetkezelés jellemezte őket. Ezt az újításukat Qi Baishi is magáévá tette. A kínai festészet visszafogott színhasználatát – amit gyakorlatilag a tus színe és a hordozó fehér színe adott – Qi Baishi színekkel egészítette ki. [...] Mindezeken túl fontos tudni, hogy a kínai mesterek nem készítenek vázlatot vagy előtanulmányt. Az átgondolt kompozíciót néhány mozdulattal vetik a papírra, javítani nem lehet. Ettől nagyon frissek a képek, minden jobban él: a levelek vagy a szinte mozdulatlan állatok. Qi Baishi ezt a technikát a kompozíció frissességével fokozta. Üde, közeli a nézőpont, gyakorlatilag részeivé válunk, benne vagyunk a képeiben. Nincsen háttér, sem perspektíva. [...] Fontos, hogy a kínai kép rétegzetten értelmezhető: elsődleges olvasata a két nagy kompozíciós elem felismeréséből fakad, és azután lehet az ezekből fakadó szójátékokkal továbbhaladni. Majdnem mindig van bennük valamilyen rejtett tartalom, egy nyelvi játék, például az élet egy fordulópontjához kapcsolható jókívánság vagy a természet dicsérete. Ez úgy tárul fel a néző előtt, mint ahogy megmutatja hatását egy jó parfüm, minden órában egy újabb komponenst lebontva.”

 

 

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