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  • ...Let Him First Cast a Stone at Her (Szentendre), 1934

Bánáti Sverák, József (1897 - 1951)

...Let Him First Cast a Stone at Her (Szentendre), 1934

 Bánáti Sverák, József - ...Let Him First Cast a Stone at Her (Szentendre), 1934 | 79th Winter Auction auction / 249 Lot
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135 x 181 cm
Oil on canvas
Signed lower right: Bánáti Sverák József 1934 II.

79th Winter Auction / 249. Lot (2025-12-14)
Starting price: 5 000 000 Ft / 13 908 EUR
Estimation: 6 000 000 Ft- 8 000 000 Ft
/ 16 689 EUR - 22 253 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

79th Winter Auction

Date:

2025. December 14. 18:00 - 23:00

  • Conditions of sale

Exhibited: A szentendrei művészet 1924–35 között. Szentendrei Képtár, Szentendre, 1994.

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Study

Irodalom

Szentendrei művészek képkiállítása. Esti Kurir, 1935. december 4.

Kiosztották a jövő tanévre a tudományos ösztöndíjakat. Uj Magyarság, 1936. augusztus 2.

A szentendrei művészet 1924–35 között. Szentendrei Képtár, Szentendre, 1994 (bevezető: Kiss Joakim Margit).

Tóth Antal: A Szentendrei Régi Művésztelep. Corvina, Budapest, 2007.

 

A régi szentendrei művésztelep oszlopos figurájaként ismert Bánáti Sverák József a Képzőművészeti Főiskolán tanult Réti István és Glatz Oszkár mester szárnyai alatt. Az 1920-as évek derekán elnyerte a KÉVE ösztöndíját, majd megfordult a miskolci művésztelepen és Münchenben is. 1928-ban az ő pesti műtermében alapították meg a szerb kisvárosba rendszeresen eljáró fiatal festők a régi Szentendrei Művésztelepet. Neve és személyisége összeforrt a várossal. A helyi gimnáziumban is tanított, többek között Deim Pál is a diákjaként sajátította el a képzőművészet alapjait. 1935-ben nagy kiállításon mutatkozott be pár társával együtt a szentendrei városháza dísztermében. Könnyen lehet, hogy a most vizsgált nagy kompozíció is szerepelt a tárlaton. A korabeli sajtó leírása mindenesetre ráillik: „Bánáti-Sverák József, a neoklasszikus irány képviselőjének művein a preraffaelita mesterek szelleme a saját egyéni felfogásában nyilatkozik meg. Különös bájt kölcsönöz műveinek a primitív [vagyis korai reneszánsz] mesterek naivitásával azonos felfogása, mellyel bibliai tárgyú és egyéb szimbolikus kompozícióit a szentendrei miliőben helyezi el.”

Bánáti Sverák hamarosan meg is kapta az olasz állam csereösztöndíját, de már ekkor behatóan ismerte a reneszánsz itáliai freskók esztétikáját. Mintha egy quattrocento kompozíció kelne életre a képen. Centrális perspektíva, építészeti dobozterek, frízszerűen elrendezett, szobrászian formált figurák. A jeruzsálemi tömeg antik izomzatú héroszok sokaságaként jelenik meg Jézus előtt, a bűnös nőalak viszont modern aktként. (Fedetlen kebleivel sosem kerülhetett volna be templomi térbe.) Bánáti Sverák a precíz rajzolatú, quattrocento kompozíció mögé Szentendre városának látképét vetítette. Pont úgy járt el, mint a régi itáliai mesterek, akik a bibliai jeleneteket áthelyezték saját városi környezetükbe. Bánáti Sverák a felső szentendrei országút – a mai 11-es főút – dombtetőre felkapaszkodó részén jelölte ki a nézőpontját. Valahol ott, ahol a Bükkös-patak csorog lefelé a Duna irányában. Innen nézett a Várhegy felé: pontosan kivehetők a házak, bal oldalon a szerb ortodoxok barokk temploma, a Belgrád-székesegyház, jobbra pedig település legrégebbi szentélye, a Keresztelő Szent János-plébániatemplom. (Ez utóbbiban pár év múlva falképet is készített a művésztelepi kollégákkal.) A nagyszabású kompozíció a szentendrei kötődésű neoklasszicista római iskolás festészet múzeumi rangú főműve, nem véletlenül került párja (Pellengéren, 1934) a Ferenczy Múzeum gyűjteményébe.

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