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  • Lady in a Hat with Flowers, 1913

Ziffer, Sándor (1880 - 1962)

Lady in a Hat with Flowers, 1913

Ziffer, Sándor - Lady in a Hat with Flowers, 1913 | 58th Spring Auction auction / 188 Lot
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107x84 cm
oil on canvas
signed lower right: Ziffer Sándor 1913

IRODALOM | bibliography
- Borghida István: Ziffer Sándor. Bukarest, Kriterion, 1980.
Johan Huizinga: Hollandia kultúrája a tizenhetedik
században. Osiris, 2001.

58th Spring Auction / 188. Lot (2018-05-13)
Starting price: 7 500 000 Ft / 20 415 EUR
Estimation: 8 000 000 Ft- 12 000 000 Ft
/ 21 776 EUR - 32 664 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

58th Spring Auction

Date:

2018. May 13. 18:00 - 21:00

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Study

Hollandus polgárok

A festészet szerelmeseit lenyűgözi az az egész társadalmat átható gyűjtési szenvedély, amelyet Németalföldön láttunk a 17. században. A Holland Aranykorban virágzott az olajfestészet, a keresleti és a kínálati oldalon egyaránt – Huizinga írta a mindent elborító műkincsáradatról: „Jó festményekre lehetett bukkanni a rotterdami vásári bódékban csakúgy, mint a paraszti otthonokban. Teleaggatták velük a házakat. Nem volt olyan cipőfoltozó, mondja az egyik angol utazó, akinek ne lettek volna festményei.” A magyar művészeti írók a 19. századtól kezdve sokat panaszkodtak arról, hogy itthon kevés a derék polgár, aki támogatná a képzőművészetet. Pedig volt egy kis sziget a történelmi Magyarországon, ahol ugyanígy történt, mint a holland polgárok köreiben: a 20. század eleji Nagybányán. Ahogy Ziffer Sándor monográfusa, a nagybányai illetőségű Borghida István emlékezett vissza fiatalságára: „A városban alig akadt ház, amelyben ne lett volna kép, még a legszegényebben is. Nagybányán a kép valutának számított. A festő képpel fizetett rámázó asztalosnak, fűszeresnek, hentesnek, szabónak, cipésznek, cukrásznak.” És természetesen a nagybányai polgárság is szívesen ült modellt a városban dolgozó festőknek.

Renoir kalapja

Ziffer Sándor a neós botrányhős, Czóbel hívására látogatott el először Nagybányára 1906-ban. Az egri polgárcsalád, bicegő, rossz hallású fiából tősgyökeres nagybányai festő lett, bozontos, vöröslő szakállal és lángoló színpalettával. 1910-ben elvette a szabadiskolában tanuló berlini festőnőt, Käthe Beckhaust, majd 1913-ban (a most vizsgált kép születésének évében) ellátogatott Münchenbe, ahol sikerrel szerepel a Secession kiállításán, majd éveket töltött el Berlinben. Ebben az időszakban ült neki modellt a most kalapács alá kerülő képen látható ismeretlen nagybányai polgárlány. Ziffer a rá jellemző, az élénk színekkel jó kontrasztot alkotó, mélyzöld háttér elé ülteti a nőt, egy kárpitozott karosszékbe. A sötét háttér előtt valósággal világít a fehér és narancssárga kettősére épülő, elegáns szaténruha. A narancsszínű felső pazar kolorista kontrasztot alkot a zöld felületekkel. Mindezt pedig megkoronázza a kalap, ami a frissen szedett jácintokkal a tavasz frissességét hozza a nagybányai polgárház falai közé. Renoir álmodott ilyen óriási, buja, csipkékkel és virágokkal teli kalapkölteményeket dús keblű modelljeinek fejére. 

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    Unknown artist

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    75 000 Ft

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    (1964 - )

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    Scholz, Erik

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    Ámos, Imre

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    Rózsahegyi, György

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    138 000 Ft

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