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  • Jenő Barcsay in His Studio, c. 1930

Rozgonyi, László (1894 - 1948)

Jenő Barcsay in His Studio, c. 1930

 Rozgonyi, László - Jenő Barcsay in His Studio, c. 1930 | 76th auction auction / 181 Lot
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93 x 79 cm
Oil on canvas
Signed upper left: Rozgonyi, On the reverse: Barcsai 79x93 cm

76th auction / 181. Lot (2024-12-10)
Starting price: 3 600 000 Ft / 9 811 EUR
Estimation: 4 400 000 Ft- 6 000 000 Ft
/ 11 991 EUR - 16 351 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

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Study

Irodalom

Rozgonyi László emlékkiállítása. Ferenczy Károly Múzeum, Szentendre, 1964.

Barcsay Jenő (1900–1988) a festő, a tanár. Szerk.: Szabó Noémi, KOGART Galéria – Tornyai János Múzeum és Közművelődési Központ, Budapest – Hódmezővásárhely, 2015.

 

Rozgonyi Lászlót kortársai a régi szentendrei művésztelep oszlopos figurájaként ismerték. Ahogy kollégája, Kántor Andor megidézte karakterét 1964-es emlékkiállításának katalógusában: „Magas, szikár alakja, élesen rajzolt profilja, gondosan ápolt oldalszakálla, jellegzetes külseje Krúdy Gyula hőseit juttatta eszünkbe. Minden körülmények között megőrzött udvariassága, ruhahordásának egyszerű eleganciája, finom bókjai mintha a biedermeier kort idézték volna.” Rozgonyi – müncheni és pesti főiskolai tanulmányai után – 1926-ban jutott ki Párizsba, a modern művészetek fővárosába, a Szinyei Társaság tanulmányi ösztöndíjával. Alapító tagként vett részt a régi Szentendrei Művésztelep életre hívásában 1929-ben, majd a következő esztendőben a római Collegium Hungaricum ösztöndíjas tagjaként merítkezett meg az Örök Város sűrű esztétikai világában. Minden bizonnyal ez után készült a művésztelepi társat, Barcsay Jenőt ábrázoló, most vizsgált képe. A festőt nemcsak jellegzetes szakálláról és meleg tekintetéről lehet felismerni, de a vászon hátoldalán is ott szerepel a neve. A kép a szentendreiekre jellemző „barátságportré”. A kabátot és sapkát viselő Barcsay keresztbe rakott lábaira támasztott táblán dolgozik ecsetjével. A felület még üres, a festő úgy keresi a néző tekintetét, ahogy egykor művészbarátja, Rozgonyi szemébe nézhetett, hogy ő is portrét készítsen róla. A hűvösen modellált, tömbszerű formákból építkező festmény stílusvilága a római iskolások esztétikájával rokon. Barcsay 1930-ban tért haza párizsi tanulmányútjáról, a falon látható tört kubusokból felépített városi látképe ezt az időszakot idézi, amikor – saját szavaival élve – a kubisták felfedték előtte „a képalkotás elemi törvényeit”.

 

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