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  • Kelemen, Károly
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  • Ironing Bear, 2002

Kelemen, Károly (1948 - 2024)

Ironing Bear, 2002

 Kelemen, Károly - Ironing Bear, 2002 | 77th Spring Auction auction / 158 Lot
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160 x 120 cm
Acrylic on canvas
Signed lower right: KK, On the reverse autograph inscription: 160 × 120 cm akril, vászon Kelemen 2002 – Vasaló medve – szürke verzió

77th Spring Auction / 158. Lot (2025-05-28)
Starting price: 4 200 000 Ft / 11 683 EUR
Estimation: 5 000 000 Ft- 7 000 000 Ft
/ 13 908 EUR - 19 471 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

77th Spring Auction

Date:

2025. May 28. 18:00 - 23:00

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Study

Irodalom

Frank János Medveének. Élet és Irodalom, 1993/42., 14.

Kelemen Károly. Retrospektív. 1975–2002. Szerk.: Kelemen Károly, Jelenkor, Pécs, 2002.

Robusztus testű medve vasalja vörös színű szenesvasalóval a kék kubisztikus kristályfomákat. Az új festészeten edződött, energikus ecsetnyomok érzékien rovátkolt gesztusai pettyezik a felületet. A játékmackókról kölcsönzött fejhez csupaizom emberi idomok járulnak. Kelemen Károly jelképes erejű, Teddy Bear alteregóját lázas munkában érjük tetten: a füstölő vasaló a medve köré tördelt, szürkéből kékre váltó kubista síkmozaikokat egyengeti, komoly eredmény nélkül. A dimenziók nem simulnak ki, marad az ecsetjáték érzéki felületszépsége és a heroikus nekibuzdulás belső izzása. A Rózsa-körösökkel indult Kelement a művészettörténet a 80-as években kiforró új festészeti hullám egyik fő képviselőjeként – nagytermészetű mackójaként – ismeri. Ő volt „magyar posztmodern festészet törvényalkotója”, ahogy Frank János jellemezte. Kelemen az új szenzibilitás eklektikus tornádójában jegyezte el magát végképp a „talált” képekkel. 1985-ben, a ma már a Magyar Nemezti Galériában őrzött ikonikus képén, a Vasaló medvében Picasso kék korszakának törékeny remekére zúdította rá a művészettörténetet és saját egóját. Izgatott ecsetnyomokkal idézte meg a kubizmus megtört síkjait, miközben a törékeny nőalak helyére saját alteregóját, a medvét helyezte, kigyúrt játékmackó formájában. Ez a programadó festmény azt a totális eklektikát jelzi, ahogy nagyszabású művészete kortárs nézőpontból értelmezi újra a klasszikusokat. A most vizsgált mű ennek a vöröslő posztmodern ikonnak az ezredfordulón újrakomponált, kéklő változata. Kirobbanó festői energiákat őrző alkotás az elmúlt évtizedek egyik legmeghatározóbb, tavaly elhunyt alkotójától. 

 R.G.

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