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  • Sándorfi, István (Sandorfi, Étienne)
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  • Doubler Photo Portrait, 1975

Sándorfi, István (Sandorfi, Étienne) (1948 - 2007)

Doubler Photo Portrait, 1975

 Sándorfi, István (Sandorfi, Étienne) - Doubler Photo Portrait, 1975 | 68th Auction auction / 120 Lot
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195x114,5 cm
Oil on canvas
Signed on the reverse: Sándorfi István Mars 1975 Photoportrait I.

Provenance: Earlier in a parisian private collection

68th Auction / 120. Lot (2022-05-24)
Starting price: 5 000 000 Ft / 13 790 EUR
Estimation: 6 000 000 Ft- 12 000 000 Ft
/ 16 548 EUR - 33 096 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

68th Auction

Date:

2022. May 24. 18:00 - 22:00

  • Conditions of sale

Reproduced: Sándorfi. Szerk.: Makláry Kálmán. Modem, Debrecen, 2007. 103.

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Study

Irodalom

Sándorfi. Szerk.: Makláry Kálmán, Modem, Debrecen, 2007

Beke László: Fotó-látás, fotóhasználat az új magyar művészetben. Fotóművészet, 1972/3., 18–24.

Kamerakultusz a hetvenes években

Mivel szinte mindenki kezében ott volt a könnyen elérhető fényképezőgép, a hetvenes évek képzőművészetét a fotográfia határozta meg. Elsősorban az analitikusan gondolkodó konceptuális fotóhasználat révén, de magát az olajfestészetet is elérte a kamerakultusz: ekkor született meg a hiperrealizmus. Kalifornia szuperrealista festőitől a magyar neoavantgárd fotórealistáiig a világ minden pontján egyszerre bukkant fel, több évtizednyi absztrakt hegemónia után. A félelmetesen virtuózan kezelt, klasszikus olaj-vászon technika révén különösen élesen vált láthatóvá a fotografikus képiség természete, kirajzolva az optika határait. Ahogy Beke László fogalmazott az első magyar hiperrealista kép, Méhes Lászlónak az Iparterv kiállításon bemutatott Hétköznapja (1969) kapcsán: „Méhes képeiről a felületes szemlélő el sem tudja dönteni, festmények vagy fényképek-e – a festő a kép keretét azonosítja a leképezett fénykép kivágásával, vagyis a fotószerűséget képen belüli eszközökkel éri el (érzékelteti a szemcsézettséget, az elszíneződést, többnyire szürke vagy szürkés tónusokban tartja az egész képet).”

Fotórealizmus Párizsban

Sándorfi Istvánt a hetvenes évek már Párizsban érte utol. Az osztályidegen család 1956-ban hagyta el az országot és telepedett le Franciaországban, ahol a fiatal diák bejárt minden múzeumot és képtárat. Öntörvényű karaktere nem bírta a hivatalos iskolákat, főleg autodidakta módon képezte magát. 1973-ban már párizsi múzeumban állította ki műveit (többek között Méhes Lászlóval együtt). Virtuózan realista, fotót követő, önmagát vagy csendéleteket ábrázoló művei villámcsapásra váltak népszerűvé a hetvenes évek eleji nouvelle figuration szárnyain. Másfél évtizeden át csak magát festette, nárcizmussal kevert önelemzőként. „Én voltam a modell, mert mindig itt voltam, a saját rendelkezésemre álltam” – mondta abban az interjúban, amely első magyarországi retrospektív kiállításának katalógusában jelent meg. A most vizsgált korai, 1975-ös képén is önmagát festette meg, megkétszerezve és egy vékony kék csíkkal kettéválasztva. Bal oldalon félmeztelenül, nyakában napszemüvegben áll, kibontott nadrágját (ezt a sorozat többi darabjáról tudjuk) egy világos cowboykalappal fedi le. Másik énje félárnyékban, talányos mozdulattal játszik a napszemüveggel. A szemkápráztató hiperrealista felület tökéletesen visszaadja a hetvenes évekbeli fotóemulzió szemcsés felszínét és kékes derengését.

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  •  Sándorfi, István (Sandorfi, Étienne) - Autoportrait du soir, 1975

    Sándorfi, István (Sandorfi, Étienne)

    (1948 - 2007)

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    Signed on the reverse: Sándorfi István Mars 1975 Autoportrait du soir

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    Sándorfi, István (Sandorfi, Étienne)

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    Szőllősy, Kálmán

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    Dombay, Lelly (Dombay Lelli, Dornis Istvánné)

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    (1895 - 1977)

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    Tamás, Pál

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  •  International News Photos - Girl in a Corsetry, 1950

    International News Photos

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    65 000 Ft

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    Németh, József

    (1928 - 1994)

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    Szalma, Edit

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    (1886 - 1967)

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    Fábián, Gyöngyvér

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    (1900 - 1988)

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  • Bartha, László - Yellow flowers 1957

    Bartha, László

    (1902 - 1998)

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    Oil, canvas

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    (1912 - 1987)

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    (1882 - 1965)

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    Fried, Pál

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    Unknown painter

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    37x49,5 cm

    Mixed technique on paper

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    145 000 Ft

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