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  • Jaschik, Álmos,
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  • Country of Love, c. 1920

Jaschik, Álmos, (1885 - 1950)

Country of Love, c. 1920

Jaschik, Álmos, - Country of Love, c. 1920 | 78. autumn auction auction / 9 Lot
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44 x 34,5 cm
Colored pencil on paper
On the reverse: exhibiton label of V–VII. Reprezentatív Magyar Kiállítások, Helsinki (Helsingfors), Tallinn (Reval) és Tartu (Dorpat), 1922

78. autumn auction / 9. Lot (2025-10-13)
Starting price: 2 400 000 Ft / 6 540 EUR
Estimation: 3 000 000 Ft- 4 400 000 Ft
/ 8 176 EUR - 11 991 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

78. autumn auction

Date:

2025. October 13. 18:00 - 23:00

  • Conditions of sale

Exhibited: V–VII. Reprezentatív Magyar Kiállítások, Helsinki (Helsingfors), Tallinn (Reval) és Tartu (Dorpat), 1922

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Study

Irodalom

Magyar képzőművészek kiállítása Finn- és Észtországban. Pesti Hírlap, 1922. szeptember 16.

Jaschik Álmos. A művész és pedagógus. Szerk.: Prékopa Ágnes, Noran, Budapest, 2002.

 

Jaschik Álmost elsősorban „szecessziós” művészként ismerjük, holott szerteágazó munkássága az egyetemes magyar kultúra szerves részét alkotja. Autonóm gondolkodású művészegyéniség volt, a fővárosi polgári értelmiség vezető rétegéhez kötődően neveltetéséből, a század eleji kulturális légkörből adódóan nemzeti-népi hagyományainkra támaszkodva alakította ki művészi tevékenységének folyamatosan táguló körét. Magániskolája, amelyet méltán lehetett progresszív szellemiségűnek nevezni, kapcsolatban állt a Hét és a Nyugat körével. 1925 és 1944 között színpadművészként együttműködött Németh Antallal, a Nemzeti Színház rendezőjével, majd igazgatójával. Grafikai tehetségét minden kortárs ismerte, hiszen nevéhez fűződik a második pengő bankjegysorozat (1928–1930), valamint az 1943-as ezerpengős grafikai tervezése is. Vagyis „Jaschik-alkotás” minden magyar kezén – pénztárcáján – átment. Most vizsgált képe a századforduló misztikus-szecessziós világának egyik legszebb megtestesülése, egy romantikus Petőfi Sándor-verstől (Szerelem országa) ihletődött, virtuóz rajzú korai mű. A hátoldalán megőrzött raglap szerint szerepelt az 1922-ben Finnországba és Észtországba küldött magyar nemzeti kiállításon. Az Andrássy Gyula által gründolt tárlat a trianoni Magyarország magas színvonalú művészetét volt hivatva bemutatni. Ahogy a Pesti Hírlap tudósítója írta: „A reprezentatív kiállítás nem más, mint külföldi barátok toborzása, csupán szavazatokat gyűjtünk Magyarország mellett. Ilyen szavazatok és barátok jó néhányan vannak már Hollandiában és Svédországban, akik a kiállításunkon győződtek meg róla először, hogy a magyar nem az a balkáni nép, amilyennek Benes és Pasics úr bennünket olyan szívesen lefest.”

 

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