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  • Bridge at Hernád (Kassa), before 1931

Jakoby, Gyula (1903 - 1985)

Bridge at Hernád (Kassa), before 1931

 Jakoby, Gyula - Bridge at Hernád (Kassa), before 1931 | 63st Winter Auction auction / 205 Lot
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70x75 cm
oil, canvas
Signed lower right: Jakoby Gy.

Provenance: Once owned by the family of Dr. Zoltán Vécsey (Kosice)

63st Winter Auction / 205. Lot (2019-12-16)
Starting price: 7 500 000 Ft / 21 128 EUR
Estimation: 10 000 000 Ft- 14 000 000 Ft
/ 28 171 EUR - 39 439 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

63st Winter Auction

Date:

2019. December 16. 18:00 - 21:00

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Study

Romantikus városi házak szegélyezik az expresszív tükröződésekkel teli Hernád vizét. A hullámvonalakra és ívekre épített kompozíciót a „kassai remete”, Jakoby Gyula festette. Az elmúlt évtized szlovákiai kiállításaiból vált egyértelművé, hogy a két világháború közötti Kassán különleges művészeti teljesítmények születtek. A frissen létrejött csehszlovák állam keleti nagyvárosában, a sok nemzetiségű Kassán különböző származású modern művészek gyűltek össze, a cseh Frantisek Foltyntól kezdve a magyar Bortnyik Sándorig. A „kassai moderneknek” nevezett betelepülő képzőművészek egy rövid évtized után elhagyták a várost, de az ott maradt helyi alkotókra gyakorolt hatásuk örökre megváltoztatta a város művészeti életét. Jakoby Gyula az 1920-as évek során – a kassai modernizmus nagy évtizedében – művészeti tanulmányait végezte. Előbb Podolini-Volkmann Artúr budapesti magániskolájában képezte magát, majd a kassai modernek egyik legnagyobb egyéniségének, Krón Jenőnek nagy hatású rajziskolájában tanult. Bár pár évet eltöltött a pesti Képzőművészeti Főiskolán, diploma nélkül költözött vissza Kassára. Magyar művészként nehéz évek vártak rá szülővárosában, ahogy Hushegyi Gábor írta róla: „Az ígéretes pályakezdést a háború, majd a jogfosztottság évei és szocializmus évtizedei követték. Mivel a modern művészet felfelé szálló ága Kassán az 1920-as évek végével befejeződött, állítható, hogy nem csak nemzetiségi, hanem művészi szempontból is magányosnak érezhette magát az 1930-as években, ezt az érzést nem javították a következő évtizedek sem, sőt különutas művészete halála után is a magányos szoliter pozíciójába sodorja mind személyét, mind életművét.” Jakobyt mind a mai napig „kassai remetének” hívja a szlovák művészettörténet, de jelenleg – mint a „szlovák Chagall” – ő az egyik legtöbbre tartott, a műkereskedelemben is sokat szereplő alkotója a 20. századnak.

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