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  • Bathers on the Lido (Hotel Excelsior), c. 1910

Rippl-Rónai, József (1861 - 1927)

Bathers on the Lido (Hotel Excelsior), c. 1910

Rippl-Rónai, József - Bathers on the Lido (Hotel Excelsior), c. 1910 | 76th auction auction / 37 Lot
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21 x 32 cm
Pastel on paper
Signed lower left: Rónai

76th auction / 37. Lot (2024-12-10)
Starting price: 3 400 000 Ft / 9 457 EUR
Estimation: 4 200 000 Ft- 7 500 000 Ft
/ 11 683 EUR - 20 862 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

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Study

Irodalom

Lázár Béla: Rippl-Rónai József. Somogyi Hírlap, 1912. április 11.

 

Vidám fürdőző tömeg élvezi a lagúnák kellemes tengervizét a plázson. A pasztellkréta legnagyobb magyar mestere, Rippl-Rónai József a rá jellemző bravúros kolorizmussal adta vissza a velencei tenger türkizével kontrasztot alkotó lazacszínű emberi testeket, körbevéve a fürdőkabinok vidám foltjaival. A kompozíciót merészen vágja keresztbe jobb oldalt a móló fehér sávja. A felülnézeti ábrázolás egyértelművé teszi, hogy a festő a Lido egyik század eleji parti szállodájában bérelt szobát. Minden bizonnyal a mór stílusú grandhotelben, a Hotel Excelsiorban, amely előtt a tengerbe kifutó legendás mólón fotózkodnak kétévente a velencei filmfesztiválra érkező szupersztárok. Rippl-Rónai még a nagy hollywoodi csillagok előtt érkezett meg a Lidóra, a korabeli előkelők 1908-ban átadott kedvenc szállodájába. A festő a 20. század elején időről időre felbukkant a lagúnák városában, hiszen rendszeresen kiállított a velencei biennálén. A neves művészeti író, Lázár Béla egy alkalommal meg is leste, ahogy a kanálisok partján dolgozik: „Nem a fényben változó, mozgó, eleven, röpke színhangulatokat leste el, hanem a motívum színétől független színrendszert, a saját maga színeit rakta vásznára. Abban a harmóniában, melyet festményén megtalált, mégis volt valami Velence hangulatából, nem az, amelyik ott élt, rezgett, csillogott előttem, hanem az, amely ott lappangott a művész szívében, ott ragyogott a szemében, kész színlátásban, egy élet és természet fölött álló valóságban.”

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