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  • 12VII1972, 1972

Frey, Krisztián (1929 - 1997)

12VII1972, 1972

 Frey, Krisztián - 12VII1972, 1972 | 73rd Winter Auction auction / 85 Lot
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120 x 60 cm
Oil on canvas
Signed on the reverse autograph inscription: CHRISTIAN FREY Asyl str. 11912.7.72 „1972” SFr 2,200.

73rd Winter Auction / 85. Lot (2023-12-17)
Starting price: 4 500 000 Ft / 12 334 EUR
Estimation: 6 000 000 Ft- 10 000 000 Ft
/ 16 446 EUR - 27 409 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

73rd Winter Auction

Date:

2023. December 17. 18:00 - 23:00

  • Conditions of sale

Exhibited: Frey úr ír, Ludwig Múzeum – Kortárs Művészeti Múzeum, 2022 (kat. 80.).

Reproduced: Frey úr ír / Herr Frey Frei. Szerk.: Rieder Gábor, Ludwig Múzeum – Kortárs Művészeti Múzeum, Budapest, 2022, 196–197. és 198.

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Study

Irodalom

Frey úr ír / Herr Frey Frei. Szerk.: Rieder Gábor. Ludwig Múzeum – Kortárs Művészeti Múzeum, Budapest, 2022.

 

Az iparterves kiállításokat követően Frey Krisztián nem várta meg a progresszív művészek undergroundba vonulását, hanem 1970 nyarán emigrált Svájcba. „Nyugaton »szabadon« festeni, ez volt elejétől fogva a kívánságom” – emlékezett vissza később a megtalált szabadságra. A kézírásos leveleket idéző korábbi szkripturális absztrakt képeinek stílusát fejlesztette tovább 1970-től Svájcban. A következő termékeny két esztendőben született a most vizsgált kézírásos festmény is. A gyorsan, alla prima készített képen Frey megőrizte a fehér és fekete szintek kettőséből eredő sajátos, opálosan áttetsző, nedves hatású szürke tónust, egy kevés sárgával vegyítve. A még meg nem száradt felületbe ujjal karcolta-törölte bele az írott betűket, alig olvasható arabeszket teremtve. A zürichi szkripturális szürke képeken az írás sok esetben – posztmodern gesztusként – az újságokból vagy közleményekből kiemelt kölcsönzött szöveg, a koncertező katonazenekar hírétől a körözött autók rendszámáig. A semleges textusokba helyenként érzelmileg fontos neveket, rövidítéseket vagy számokat szúrt közbe (például a címadó dátumot), de mindvégig gondosan ügyelt arra, hogy a végeredmény a tiszta vizualitás és az olvashatóság vizuálisan izgalmas határvonalán billegjen.

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    A Kieselbach Galéria a párizsi absztrakció itthon alig ismert sztárjának, Fiedler Ferencnek (François Fiedler) eddig Magyarországon be nem mutatott korai műveit állítja ki. Nagy méretű, elemi...
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