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  • Vineyard in Provence with the Mont Sainte-Victoire in the Background, 1920s

Czigány, Dezső (1883 - 1938)

Vineyard in Provence with the Mont Sainte-Victoire in the Background, 1920s

 Czigány, Dezső - Vineyard in Provence with the Mont Sainte-Victoire in the Background, 1920s | 76th auction auction / 77 Lot
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66 x 54 cm
Oil on canvas
Signed lower left: Czigány, On the reverse: label of Művészeti Alap

VÉDETT - NO EXPORT

76th auction / 77. Lot (2024-12-10)
Starting price: 12 000 000 Ft / 32 702 EUR
Estimation: 16 000 000 Ft- 24 000 000 Ft
/ 43 603 EUR - 65 404 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

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Study

Irodalom

Rum Attila: Czigány Dezső. Budapest, 2004.

A Nyolcak. Szerk.: Markója Csilla – Bardoly István, Janus Pannonius Múzeum, Pécs, 2010.

Rum Attila: Czigány Dezső. Kossuth – Magyar Nemzeti Galéria, Budapest, 2015.

Cézanne nyomában

A posztimpresszionizmus magányos mestere, Paul Cézanne több mint harminc képen örökítette meg legkedvesebb hegyét, a Mont Sainte-Victoire-t. Miközben a tömegmegjelenítés és a képépítés lehetőségeit kutatta, halhatatlanná tette a magányos provence-i hegycsúcsot. A Mont Sainte-Victoire jellegzetes, csapott süvege tűnik fel a Nyolcak magyar festőjének, Czigány Dezsőnek e közelmúltban felbukkant alkotásán is. Czigány a húszas években sokat csavargott Dél-Franciaországban, sok képén örökítve meg az idilli tájat. Most vizsgált alkotásán a fehérlő hegycsúcs csak a távolban tűnik fel – mint a japán rajzolóknál a hófödte Fudzsi –, a főszereplő a zöldellő dombság és a szőlőültetvény rajzos mintázata. Az előteret a vadaktól örökölt extatikus ecsetkezelés tölti ki, de a középtérben lecsillapodik, szerkezetessé válik a látvány. Czigányra hatott a húszas évek art decójának lekerekített formákkal dolgozó esztétikája, az út világító fehér-rózsaszín ívét, a magányos fa tömbszerű formáját és a zöldellő dombok rajzolatát ennek szellemében fogalmazta meg. Igazi festői remeklés a magyar festészetben oly ritka Aix-en-Provence vidékéről.

A keresők lényeglátása

A pesti kispolgári családban felcseperedő Czigány kora gyermekkorától kezdve művészi pályára készült. A párizsi eszmélés előtt belekóstolt az akadémikus képzésbe. 1904-ben utazott először Párizsba, ahol bejárt a modern szellemiségű Julian Akadémiára, majd hamarosan a Függetlenek Szalonjának elismert részvevőjévé vált. Közben rendszeresen megfordult Nagybányán, és közeli barátságba került a modern művészet első számú nemzeti ikonjával, Ady Endrével. Formálódó festészetére Matisse, Gauguin és mindenekelőtt Cézanne volt nagy hatással. A franciás modernség tudatosan építkező, „kutató”, „kereső” értelmiségi képviselőjeként helyet kapott a Nyolcak csoportjában. Pazar önarcképekben, tájakban és cézanne-os csendéletekben gazdag festészetével komoly sikereket ért el a következő évtizedekben. 1922-es kiállítása kapcsán írta művészetéről Bálint Aladár a Nyugat hasábjain: „Czigány Dezső se óhajtja a szivárvány minden színét rászórni vásznaira, egy-egy erősebben hangsúlyozott bíborpiros színfolt, meleg kék vagy fülledt barna színtömeg elmond mindent. Fegyelmezettsége a rajzban, a szerkezetben megnyilatkozó fölényes biztonsága, az érett tehetség jóleső kiegyenlítettségét mutatja.”

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