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  • Hanna, Melánia (Hanna Mela)
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  • The History of Fashion, 1935

Hanna, Melánia (Hanna Mela) (1892 - 1972)

The History of Fashion, 1935

 Hanna, Melánia (Hanna Mela) - The History of Fashion, 1935  | 81th Autumn auction auction / 164 Lot
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150 x 200 cm
Tempera on canvas
Signed lower left: Hanna Mela 1935

81th Autumn auction / 164. Lot (2026-10-12)
Starting price: 2 800 000 Ft / 7 657 EUR
Estimation: 3 000 000 Ft- 6 000 000 Ft
/ 8 204 EUR - 16 408 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

81th Autumn auction

Date:

2026. October 12. 18:00 - 22:00

  • Conditions of sale

Reproduced: Hanna Mela (1892-1973) Adatok Hanna mela (1892-1973) életrajzának, műalkotásainak és utóéletének kronológiájához. Curriculum vitae minteyg 80 képpel. Hódmezővásárhely, 2025. 87. 28. kép

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Study

Irodalom

Hanna Méla festőművésznő nagy sikere. Vásárhelyi Népújság, 1932. március 27.

Szelesi Zoltán: Hanna Méla tárlata Vásárhelyen. Művészet, 1966/1., 47.

 

Vezetéknevét mindenki ismert, hiszen ezerszer hallotta már a Walt Disney-mesék elején: „rendezte William Hanna és Joseph Barbera”. A számtalan Oscar-díjjal kidekorált amerikai animátor vásárhelyi nagynénje, Hanna Méla (a Melániát mindig rövidített formában használta) készítette a most vizsgált kompozíciót. Az aradi születésű Hanna a Képzőművészeti Főiskolát Barcsay Jenő és Mattioni Eszter osztálytársaként végezte el, majd rendszeres kiállítóként szerepelt a fővárosi tárlatokon az 1920–30-as években. Iparművészeti tanulmányai miatt értette az alkalmazott művészetek nyelvét is, nem véletlenül tudta nagy méretű tablóján összefoglalni az európai divat történetét a középkori udvari viselettől kezdve a reneszánsz és barokk kosztümökön keresztül egészen a rokokóig és a biedermeierig. „Széphistóriás” történeti képeire így emlékezett vissza az 1960-as években Szelesi Zoltán: „Érett korszakából való, szőnyegszerűen dekoratív, falra kívánkozó alkotásaiból hol teátrális ünnepélyesség árad (Shakespeare színpad), hol meg nosztalgikusan tolmácsolják képei a reneszánsz szépségeszményét (Sólyomvadászat). A színészi pózt és a nemesi gesztust művein gyakran a paraszti élet vaskos vidámsága váltja fel. Az evő, ivó, mulatozó falusi emberek, a flamand kismesterek és közelebbről Rudnay s Aba-Novák hatását éreztetve kerültek ecsetje nyomán vászonra (Leánykérés, Aratás után). Egyszer a nazarénus festőkhöz hasonló jámbor érzülettel bibliai alakokat jelenít meg (Keresztút, Legenda), máskor az ezeregyéjszakás nászok forró érzékisége tölti be keleti meséjű műveit (Mennyegző). Változatos tárgyú, a szimbolizmus felé hajló alkotásai azonban, lett légyen egyházi vagy világi, költői vagy prózai mondanivalójuk, alapfelfogásukban kaleidoszkópszerűen vizionáriusak, egy-egy irodalmi, hitéleti vagy etnográfiai emlékképet dúsan kiszínező fantázia kapcsán jöttek létre.” Hanna Méla a két világháború közötti női festők közé tartozik, akik száma az új felfedezéseknek köszönhetően egyre gyarapszik.

 

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