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  • Rome (Tourist in Rome in Michelangelo's Dome of St. Peter's Basilica), 1927

Hubay Cebrián, Andor (1898 - 1971)

Rome (Tourist in Rome in Michelangelo's Dome of St. Peter's Basilica), 1927

 Hubay Cebrián, Andor - Rome (Tourist in Rome in Michelangelo's Dome of St. Peter's Basilica), 1927 | 75th Autumn auction auction / 165 Lot
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100,5 x 80 cm
Oil on canvas
Signed lower right: Hubay A. Rome 927

75th Autumn auction / 165. Lot (2024-10-11)
Starting price: 4 600 000 Ft / 12 580 EUR
Estimation: 5 500 000 Ft- 7 500 000 Ft
/ 15 041 EUR - 20 510 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

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Study

Irodalom

XCIX/b Csoportkiállítás, Ernst Múzeum, 1928.

 

Hubay-Cebrián Andor megelőzte korát: már akkor hírnévre tett szert Itáliában, amikor a Római Iskola még csak a szárnyait bontogatta. Nem véletlenül választotta be Gerevich Tibor, a Collegium Hungaricum kurátora a római iskolások 1937-es „Modern monumentális művészet” című összefoglaló nagy kiállítására. A képen a selymes ecsetnyomok közül a római katolikus egyház első számú szentélye, a világ második legnagyobb keresztény temploma, a vatikáni Szent Péter-bazilika bontakozik ki. A Bramante által tervezett reneszánsz épületből a Michelangelo által jegyzett, fantasztikus léptékű kupola és Bernini barokk remekműve látható, a bronzból készült óriás baldachin a pápai oltár felett. A kép készítője a két világháború közötti magyar festészet egyik méltatlanul elfeledett, finom intellektusú, nagy kulturáltságú figurája, Hubay-Cebrián Andor.

A hosszú és gazdag pályaívet befutó művész Hubay Jenő zeneszerző és a spanyol grófi családból származó Cebrián Mária fiaként különféle akadémiákon képezte magát: Münchenben Franz Stucknál tanult, Budapesten Balló Edénél, Párizsban a Julian Akadémián, de Rómában is eltöltött több évet. Hazatérve a herendi porcelángyár művészeti tanácsadója lett, majd a Nemzeti Szalon igazgatója. Az egykor gazdag és sikeres, arisztokrata származású család 1948-ban Norvégiába, majd Portugáliába menekült a rájuk váró szörnyűségek elől. Egyéni tárlata volt 1927-ben Milánóban, kiállított 1928-ban az Ernst Múzeumban, 1930-ban Varsóban pedig nagydíjat nyert Jeanne d’Arc képével. Az Ernst Múzeumban 1928-ban rendezett kiállításának katalógusában Lázár Béla elemezte művészetét: „A letapintható, biztos, anyagszerű forma nála nem vész el az atmoszféra illanó játékában. Neki a világ létezik. Létezik, mint plasztikai valóság, mint a színek alatt domborodó jelenség. […] A barokk Róma visszhangzik benne. […] Hangok, ritmusok, melódiák fogadnak itt, melyek zártsága megnyugtató ígéret, mert ezekből nagy kompozíciók kerekedhetnek ki, hacsak ösztönére hallgat, ha leszáll lelke titkos mélyeibe, s az öntudat alól nem az ismert formákba átírt víziókat, hanem a szabadon szálló látományokat fogja el.”

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