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  • Romantic Landscape

Szinyei Merse, Pál (1845 - 1920)

Romantic Landscape

Szinyei Merse, Pál - Romantic Landscape | 79th Winter Auction auction / 155 Lot
  • We provide certificate work of origin for every purchased work of art
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23,5 x 19 cm
Oil on wood
Signed lower right: Szinyei

79th Winter Auction / 155. Lot (2025-12-14)
Starting price: 6 000 000 Ft / 17 156 EUR
Estimation: 7 000 000 Ft- 12 000 000 Ft
/ 20 015 EUR - 34 312 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

79th Winter Auction

Date:

2025. December 14. 18:00 - 23:00

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    More than 100.000 Hungarian works of art

  • We provide certificate work of origin for every purchased work of art
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Study

Irodalom

Malonyay Dezső: Szinyei Merse Pál. Lampel, Budapest, 1910.

Fóthy János: Böcklin Arnold 1827–1927. A Pesti Hirlap Kincsesháza, 1927, 60–64.

Végvári Lajos: Szinyei Merse Pál 1845–1920. Képzőművészeti Kiadó, Budapest, 1986.

Szinyei Merse Anna: Szinyei Merse Pál élete és művészete. Magyar Nemzeti Galéria – Corvina – Széchenyi Kiadó, Budapest, 1990.

Szinyei Merse Anna: Szinyei Merse Pál (1845–1920). Magyar Nemzeti Galéria – Corvina – Széchenyi Kiadó, Budapest, 1990.

 

Mintha a nimfák ligetét látnánk valahol messze, a Parnasszus felé vezető tisztás körül. A fák alatt forrás fakad, a törzsek között pedig kinyílik a panoráma. Szinyei Merse Pál nem plein air tanulmányt festett a természet után, hanem olyan aranyló fényű Árkádiát, ahol bármelyik pillanatban felbukkanhatnak a nimfák és a faunok. A fiatal magyar mestert Münchenben nemcsak az impresszionista látványfestészet tartotta hatalmában. Másik igazodási pontját a nagy hatású piktor, a jelképes erejű mitológiai képek nagymestere, Arnold Böcklin jelentette. A svájci művész a szomszédos műteremben alkotott. Miközben Szinyei dolgozott úttörő főművén, a Majálison (1873–1874, Magyar Nemzeti Galéria), időről időre megtárgyalta a művészet nagy kérdéseit műteremszomszédjával. Mielőtt eltemette volna magát jernyei magányában, még azt tervezte, hogy Böcklin mellé költözik Firenzébe. Bár ez álom maradt, korai tájképeinek itáliai hangulata és mitologikus ereje (főként a Faun-téma variánsai) elevenen őrzi a svájci kolléga hatását. Ahogy első monográfusa, Malonyay Dezső fogalmazott: „ami szimbolisztikusat találunk képein, az az antik görög fölfogáshoz van legközelebb; mondhatnók, görögül pogány.”

Böcklin valódi legendának számított a 19. század végén. Fóthy János így emlékezett vissza pár évtizeddel később magával ragadó festészeti világára: „Böcklin […] egyike a modern festőművészet legnagyobb és egyéniségben is legkiemelkedőbb alakjainak. Ha nevét halljuk, megmozdul, nyüzsögni, élni és ragyogni kezd bennünk egy egész mitológia. Sugaras déli tengereket látunk, végtelenbe tágulva, csillámpikkelyesen, életre kel belső látásunk előtt ezeknek a tengereknek titkos élete: tritonok fújják csavaroskürtjüket, álmos szirének nyújtózkodnak likacsos sziklákon, hínárkoszorús tengeri szörnyek bukdácsolnak a habokban, vidám sellőkre vadászva, tengerparti kastélyok melankolikus csendjét érezzük, a déli szélben sötét ciprusok borzonganak, kentaurok csatáznak viharos égbolt alatt, üde smaragdszínű mezőkön Flora istenasszony hintegeti a tavasz virágait, faunok szökellnek, szatírok bujkálnak remegő bokrok közt, és a tavaszi estében Pán fújdogálja sípját.” Ezek azok az árkádiai teremtmények, akiknek lába nyomát ott érezzük Szinyei fiatalkori tájképének szépséges részletei között.

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