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  • Rhythm of the City (Cityscape with Red Factory Chimney and Locomotive), c.1930

Klein, Ferenc (1910 - 1930)

Rhythm of the City (Cityscape with Red Factory Chimney and Locomotive), c.1930

 Klein, Ferenc - Rhythm of the City  (Cityscape with Red Factory Chimney and Locomotive), c.1930 | 75th Autumn auction auction / 21 Lot
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54 x 65 cm
Oil on canvas
Unsigned, On the reverse: Ferenc Klein legacy stamp

Provenance: Formerly part of the artists heritage

75th Autumn auction / 21. Lot (2024-10-11)
Starting price: 2 600 000 Ft / 7 321 EUR
Estimation: 3 600 000 Ft- 6 000 000 Ft
/ 10 137 EUR - 16 895 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

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    We provide certificate work of origin for every purchased work of art

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Study

Zenei ritmusra felépített képi koncepció. A modernista gyárépület felülvilágítós tetősíkjának cikkcakkjai úgy zakatolnak, mint a magas pályán mögötte szaladó gyorsvonat kerekei. A mozdonyból gomolygó füstcsíkot a gyárkémény téglapiros központi tengelye osztja két részre (felezve a zakatolás ritmusát). Mintha Kassák Lajos programadó avantgárd szabadversét, a Mesterembereket szavalná egy kórus: „Hatalmas felhőkarcolókat építünk majd és játéknak az Eiffel-torony mását. Bazalt talpú hidakat. A terekre új mithoszokat zengő acélból s a döglött sínekre üvöltő, tüzes lokomotívokat lökünk, hogy ragyogjanak és fussák be a pályát, mint az ég szédületes meteorjai.” A kép egy olyan nagy tehetség, Klein Ferenc szűk életművébe tartozik, aki korai halála miatt nem tudta befutni a neki rendelt pályát. Pedig ezzel a nagyvárosi urbánus tájképpel telibe találta a húszas évekbeli korszellemet. Hűvös eleganciája az art deco letisztult dekorativitását idézi, a metropoliszt átformáló víziója az aktivisták és a Bauhaus modernista szerkesztési elveit, az indusztriális negyedet választó érdeklődése pedig az amerikai precizionisták témavilágát. Redukált színskálája Czigány Dezső art deco francia Riviéra-képeire rímel, mozdonyfüstös tematikája pedig Scheiber Hugó pályaudvaraira. Klein az előtér háztetőrengetegéből úgy gyúrt geometrikus plasztikát, hogy közben megtartotta a perspektivikus látványt. A hátul átszaladó magasvasút hídja – a robogó vonattal és a geometrizáló szemafortáblákkal – cezúrát húz a képen, amely mögött a bér- és magasházak sora húzódik meg. De az egész kompozíciót egésszé kovácsolja a lilák és púderrózsaszínek delikát színharmóniája. A kiérlelt modernista városkép helyet követel az eddig teljesen ismeretlen fiatal tehetség számára a két világháború közötti művészettörténeti kánonban.

 

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