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  • Molnár, Sándor
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  • Princilpe VI., 1975

Molnár, Sándor (1936 - 2022)

Princilpe VI., 1975

 Molnár, Sándor - Princilpe VI., 1975 | 64st Autumn Auction auction / 53 Lot
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80x80 cm
Oil on canvas

Signed on the reverse: Molnár Sándor Princípium VI. 1975 80x80, Signed on the stretcher: Elem levegő, műv. Szeparáció

64st Autumn Auction / 53. Lot (2020-09-18)
Starting price: 2 600 000 Ft / 7 157 EUR
Estimation: 3 600 000 Ft- 6 500 000 Ft
/ 9 910 EUR - 17 893 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

64st Autumn Auction

Date:

2020. September 18. 18:00 - 22:00

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Study

Tiltott absztraktok

Az 1950-es évek fojtogató légkörében a Képzőművészeti Főiskola diákja, Molnár Sándor egy antikváriumban talált pár nyugati könyvet a tiltott absztrakcióról, Kandinszkijról és Mondrianról. Ezek hatására indult el azon a non-figuratív festészeti úton, amiből monumentális életműve megszületett. Maga köré gyűjtötte hasonló érdeklődésű diáktársait (Bak Imre, Nádler István stb.), akik ma már az Iparterv-generáció nemzetközi színtéren is jól ismert absztrakt mesterei. Ettől kezdve tíz éven át Molnár zuglói lakása adott otthont a beszélgetéseknek, vitáknak, itt cserélgették a külföldi szakirodalmat, reprodukciókat, lefordított könyveket és lemásolt kéziratokat. A Zuglói kör volt az 1960-as évekbeli progresszív magyar művészeti törekvések első állomása. Maga Molnár Sándor is szerepelt monokróm képeivel az Iparterv kiállításain, de utána már saját, független, egyszerre univerzális és a magyar tradícióból táplálkozó művészeti útját járta.

A festészet útja

Molnár a saját maga által kidolgozott festőjóga (A festészet útja) tana szerint rendezte korszakokba életét és életművét. A Hamvas Béla spirituális, kelet felé forduló – a rendszerváltás előtt tiltott irodalomnak számító – írásai által inspirált Molnár fázisról fázisra építette fel az „élettervét”. Egyes művészi korszakai a lelki tisztulás fázisainak felelnek meg. A föld őselemtől indult, vagyis a geometrikus renddé átalakított természeti látványtól, majd elősereglettek a tudatalatti szerves teremtényei a víz-képek korszakában. Ez után következett a tűz fázisa, előbb lobogó, majd megzabolázott lángnyelvekkel. A negyedik periódus a szigorúan szerkesztett kristály-korszak. A kristályokból mélységes örvény nyílt az ötödik, utolsó, záró korszakra, a levegő őselemével azonosított ürességre. A festőjóga szerint a most vizsgált – Csontváryt idézően lángoló színekben úszó – festmény a végső elem, a levegő megtisztításáról szól, hogy „végül létrejöjjön a teljes Egység, az Eggyel való azonosság”.

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