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  • Portait of Károly Kisfaludy, 1810

Neugass, Izidor (1780 körül - 1847)

Portait of Károly Kisfaludy, 1810

Neugass, Izidor - Portait of Károly Kisfaludy, 1810 | 76th auction auction / 265 Lot
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66 x 51 cm
Oil on canvas
On the reverse: peint par Neugass aus 1810

Provenance: Earlier in the collection of the Biedermann-Family

76th auction / 265. Lot (2024-12-10)
Starting price: 1 500 000 Ft / 4 101 EUR
Estimation: 2 000 000 Ft- 3 000 000 Ft
/ 5 467 EUR - 8 201 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

76th auction

Date:

2024. December 10. 18:00 - 22:00

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Study

Irodalom

Lyka Károly: A táblabíró világ művészete. Magyar művészet 1800–1850. Corvina, Budapest, 1981.

Bakó Zsuzsanna–Szentes András: A szekszárdi Béri Balog Ádám Múzeum képzőművészeti gyűjteménye. Művészettörténeti Értesítő, 1984/1–2., 16–24.

 

A berlini születésű Neugass Izidor a romantika hajnalán, a 19. század elején tanult Németországban és Bécsben. A császárváros után Pesten készített számos arcképet. A jó készségű portréfestő a legelőkelőbb, művészetkedvelő arisztokrata családoknak dolgozott. A kismartoni Esterházy-kastélyban ma is megvan Haydnt komponálás közben ábrázoló 1806-os arcképe. Brunszvik Ferenc gróf megbízásából – a náluk is zongorázó – Beethoven előkelő gavalléri portréját festette meg 1806-ban, ami sokáig a Brunszvikok martonvásári kastélyának éke volt. (Később Neugass a Tolna-vármegyei Csapó családnál bukkant fel, majd 1847-ben Temesvárra érkezett, de ott a művészettörténet nyomát vesztette.) A most vizsgál portréján tetten érhető Neugass kifinomult arcképfestő tudománya; stílusvilágát tekintve merít a klasszicizmus eleganciájából, de a választékosan öltöző, elegáns férfi megjelenítésében ott kísért a romantikus szellem is. A festmény korábban a daruvári Jankovich-kastély, majd a mozsgói Biedermann-kastély falain lógott. A családi emlékezet szerint Jankovichékhoz a Kisfaludy-hagyatékból került, ugyanis az ábrázolt ifjú maga Kisfaludy Károly, a reformkori irodalmi élet egyik központi alakja, költő és festő, az Aurora szerkesztője, a magyar novella egyik első meghonosítója. A festmény hátoldalán jelzett 1810-es esztendőben a fiatal főhadnagy éppen a katonai kötelékből kívánt kilépni, miközben egymás után írta szerelmes verseit. A magyaros, szentimentális lírai gyöngyszemek mellett egy-egy hazafias időmértékes költemény (Mohács) is született tollából, vagy a művészléttel számot vető bölcselkedő epigramma:

A ki művészpályát óhajt, tövisit ne tekintse,

Bátran törjön elő s tűnnek az éji ködök.

 

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