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  • Parisian Nude (Nude), 1921

Farkas, István (1887 - 1944)

Parisian Nude (Nude), 1921

 Farkas, István - Parisian Nude (Nude), 1921 | 64st Autumn Auction auction / 171 Lot
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57,5x67 cm
Oil on canvas
Unsigned

64st Autumn Auction / 171. Lot (2020-09-18)
Starting price: 12 000 000 Ft / 32 885 EUR
Estimation: 14 000 000 Ft- 18 000 000 Ft
/ 38 366 EUR - 49 327 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

64st Autumn Auction

Date:

2020. September 18. 18:00 - 22:00

  • Conditions of sale

Reproduced: Kihűlt világ. Farkas István (1887-1944) művészete. Szerk.: Kolozsváry Marianna. Magyar Nemzeti Galéria, Budapest, 2019, 293. page

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Study

École de Paris

Farkas István a festészet alapjait az apja által támogatott nagy remetétől, Mednyánszky bárótól sajátította el, de a valódi iskolát Párizs jelentette számára. Ybl Ervin jellemezte így művészi hátországát: „Az École de Paris előzményei ugyan a francia művészetben keresendők, de szelleme, stílusa már nem nevezhető tisztán franciának. (…) Nem hiába hallani a világ minden nyelvét a Café du Dome-ban vagy a Café Rotonde-ban, a legmodernebbek otthonaiban, az avant-garde művészete sem nevezhető már franciának, hanem csak párisinak. Igen nagy a százaléka azoknak a külföldieknek, akik a francia avant-garde-kiállításokon mint vezető mesterek szerepelnek. Picasso, Van Dongen, Foujita, Modigliani, Kissling, Chagall, Pascin idegen volta le nem tagadható. A magyarokat ebben a társaságban Farkas István képviseli. »Oeuvre-jének – írja Pierre Flouquet a Chroniques du Jourban – a tiszta festőiség terén Matisse és Dufy között van a helye.«” Farkas ösztönös természetességgel nyúlt a pszichés szorongás arctalan kifejezőerejéhez, amit a párizsias festőiség pasztózus foltjaival és ízes ecsetkezelésével varázsolt kézzel foghatóvá.

A világ eredete

Farkas gazdag pesti zsidó patríciuscsaládba született, apja a sikeres pesti könyvkiadó üzletember, Wolfner József volt, akitől 1932-ben megörökölte cégét is. A képen látható meztelen modell nem egy filléres párizsi garzonban húzza magára riadtan az ingét, hanem fesztelen természetességgel fekszik végig a hatalmas barokk kanapé zöld bársonyán, a lakosztály duruzsoló melegében. Azzal a kihívó érzékiséggel tárja fel szemérmét, ahogy csak a francia nők tehették; mint Courbet híres, 1866-os, Világ eredete (L'Origine du monde) című erotikus kompozícióján. Az a kép sokáig függött az iparmágnás műgyűjtő Hatvany Ferenc báró pesti lakásában, míg 1947-ben – egyetlen festményként – magával nem vitte az emigrációba. Az nem bizonyítható, hogy Hatvanyék megmutatták volna a féltett kincsként őrzött Courbet-festményt Farkas Istvánnak, de talán ismerte Ferenczy Károly hasonló pózban elheverő női aktját, illetve a Párizsban rendszeresen kiállító Munch lélekbelátó expresszív kompozícióit. Farkas a modell arcát – rá jellemző módon – felismerhetetlenre maszkolta, míg szemérméből mindent megmutatott, a nézőt mégis engedi, hogy belásson a női lélek belső kamráiba is.

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