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  • House with Lamb (House with Red Roof), 1907

Burghardt, Rezső (1884 - 1963)

House with Lamb (House with Red Roof), 1907

Burghardt, Rezső - House with Lamb (House with Red Roof), 1907 | 79th Winter Auction auction / 136 Lot
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53 x 81 cm
Oil on canvas
Signed lower right: Burghardt 907

79th Winter Auction / 136. Lot (2025-12-14)
Starting price: 2 800 000 Ft / 7 657 EUR
Estimation: 3 800 000 Ft- 5 500 000 Ft
/ 10 392 EUR - 15 041 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

79th Winter Auction

Date:

2025. December 14. 18:00 - 23:00

  • Conditions of sale

Reproduced: Modern magyar festészet 1892–1919. Szerk.: Kieselbach Tamás, Kieselbach Galéria, Budapest, 2003, 348. kép.

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Study

Irodalom

A Benczur-társaság kiállítása a Nemzeti Szalonban. Burghardt Rezső. Színházi Élet, 1923/19., 34.

Kiss Sándor: Burghardt Rezső műtermében. Műterem, 1958/10., 20–22.

 

A fiatal Burghardt Rezső érzékenyen tapogatva helyezte egymás mellé az ecsetnyomokat. A kígyózó fatörzsek ritmusképlete a szecessziós bécsiek – mindenekelőtt Gustav Klimt – tájképeit idézi. A jobb alsó sarokban olvasható dátum alapján abban az 1907-es évben készült, amikor főként olaszországi élményeiről beszámoló képeket állított ki. A most vizsgált alkotás mégis Fényes Adolf vagy a nagybányai művészek témaválasztásával rokonítható. Ferenczy Károly állította ilyen közel festőállványát a házakhoz, hogy közelről portretírozhassa az emberi életteret, a kertet. De Burghardt nem Nagybányán tanult és nem is az Alföldön. „Szinte egész Európát bejártam, sokfelé tanultam, mégsem mondhatom azt, hogy egy tanárom is különösebben hatott volna rám. De a régi mesterek: Rembrandt, Velasquez, Tiziano…” – adott számot időskorában iskoláiról. Tényleg sokfelé képezte magát. Párizsban Lucien Simon és René Menard volt a mestere, utána megfordult Madridban, Münchenben és Olaszországban is. 

Burghardt minuciózus ecsetkezelése az impresszionisták eljárásmódjához hasonlítható. Gazdag, izgalmas felületet teremtve traktálta az olajfestéket. Ahogy életére visszatekintve beszámolt erről az időszakról, saját művészetét a naturalizmus és az impresszionizmus vonzáskörében határozta meg: „1907 és 1910 között, amikor a »modernizmus« feltűnt, éppen Párizsban, ennek szülőhazájában voltam. Személyesen tapasztaltam, hogy az ultramodernizmus igen gyakran a tehetség és a mesterségbeli tudás hiányát igyekszik palástolni. Én sohasem voltam más festő, mint naturalista-impresszionista, egyszóval természetelvű festő. Már fiatal koromban ilyenfajta képeket állítottam ki, s ezekkel arattam első sikereimet. Ezek még jobban megerősítettek abban a hitemben, hogy az az út, amelyet követek, helyes.” A most felbukkant Burghardt-kép ezek közül a nagy sikert arató, legjobb korai festmények közül való, tanúskodik alkotója kivételes festői érzékenységéről.

 

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  • Burghardt, Rezső - Flower Still Life

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    (1884 - 1963)

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    Pituk, József

    (1906 - 1991)

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    62 500 Ft

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    Jakab, Eszter

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    Hajdú, László (B. Hajdú László)

    (1926 - 1998)

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    645 000 Ft

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    (1856 - 1910)

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    225 000 Ft

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    Unknown artist

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    Signed left below: 5116. Sarajewo, Alter türkischer Friedhof.; signed right below: Stengel & Co., Verlag, Dresden.

    35 000 Ft

    Details
  •  Unknown Artist, beginning of the 20th - Couple, beginning of the 20th

    Unknown Artist, beginning of the 20th

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    Minamizuka, Naoko

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    lithography

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    70 000 Ft

    Details

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